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Behind the burnt cork mask: early blackface minstrelsy and Antebellum American popular culture
0 references·16 citing·48 second hop
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  • 2011Performing blackness, forming whiteness: Linguistic minstrelsy in Hollywood film1223 cited
  • 2014Romantic Reformers and the Antislavery Struggle in the Civil War Era60 cited
  • 2003Black Faces, White Voices: The Politics of Dubbing in Carmen Jones58 cited
  • 2013A “Brutology” of Bozal: Tracing a Discourse Genealogy from Nineteenth-Century Blackface Theater to Twenty-First-Century Spirit Possession in Cuba55 cited
  • 2007Opera and the Mainstreaming of Blackface Minstrelsy50 cited
  • 2021Middle-Class African American English48 cited
  • 2004"Messin' with the Furniture Man": Early Country Music, Regional Culture, and the Search for an Anthological Modernism46 cited
  • 2017Phrenology and the Science of Race in Antebellum America41 cited
  • 2011Musical Pastiche, Embodiment, and Intersubjectivity: Listening in the Second Degree29 cited
  • 2009Minstrelsy and Mimesis in the South China Sea: Filipino Migrant Musicians, Chinese Hosts, and the Disciplining of Relations in Hong Kong26 cited
  • 2006Paddy Jumps Jim Crow: Irish-Americans and Blackface Minstrelsy24 cited
  • 2001The Black Dandyism of George Walker: A Case Study in Genealogical Method24 cited
  • 2010Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890.20 cited

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2000
The Centrality of Race to the Modernist Aesthetics of Gertrude Stein's Four Saints in Three Acts
20 cited
  • 2012Audiences and Critics19 cited
  • 2012Foster’s Songs in Japan17 cited