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IMAGING THE AUDIENCE
6 references·3 citing·36 second hop
IMAGING THE AUDIENCE (2005)IMAGING THE AUDIENCEFrom How to Why (2001)From How to WhyMelodrama and the negotiation of morality in mainstream Hindi film (1995)Melodrama and the negotiation…Consuming Modernity: Public Culture in a South Asian World (1995)Consuming Modernity: Public C…Cinema and the Urban Poor in South India (1994)Cinema and the Urban Poor in …Cinema and the Urban Poor in South India (1993)Cinema and the Urban Poor in …Garfinkel and Ethnomethodology (1987)Garfinkel and EthnomethodologyA national cinema’s transnational aspirations? Considerations on “Bollywood” (2017)A national cinema’s transnati…Ladies queues, ‘roadside Romeos,’ and balcony seating: Ethnographic observations on women's cinema-going experiences (2010)Ladies queues, ‘roadside Rome…Tamil identity and diasporic desire in a Kollywoood comedy:Nala Damayanti(2003) (2008)Tamil identity and diasporic …Cheap Amusements: Working Women and Leisure in Turn-of-the-Century New York (1987)Doing Gender (1987)Babel and Babylon (1991)Re-viewingHer Nights: Modes of excess in Indian cinema (2011)Bhojpuri Cinema and the “Rearguard”: Gendered Leisure, Gendered Promises (2016)Standardization or restandardization: The case for “Standard” Spoken Tamil (1998)Bollywood cinema: temples of desire (2002)Theorizing Diaspora: A Reader (2004)Historical Continuities in South Asian Film Narratives:Contemporary Representations of Religious,Ethno-linguistic and Sexual Minorities (2020)Stigma: Notes on the Management of Spoiled Identity (1969)Theorizing Disaster (2004)Routine politics and violence in Argentina: the gray zone on state power (2007)Teaching Theory Construction With Initial Grounded Theory Tools (2015)The Interpretation of Cultures (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)The Concept of National Cinema (1989)Unthinking Eurocentrism: Multiculturalism and the Media (1996)Media worlds: anthropology on new terrain (2003)Outline of a Theory of Practice. (1980)Women, Fire, and Dangerous Things (1987)Indian films and Nigerian lovers: media and the creation of parallel modernities (1997)Metaphors We Live By (2003)Culture, Globalization, Mediation (2004)Local consumption cultures in a globalizing world (2004)The Politics of Adulation: Cinema and the Production of Politicians in South India (1993)Post-Colonialism and the Political Imagination (1997)“I Need an Indian Touch”: Glocalization and Bollywood Films (2010)Superhit hunk heroes for sale: Globalization and Bollywood's gender politics (2001)“We go to Get Ahead” (2004)Desire, Youth, and Realism in Tamil Cinema (2007)Toward a Sociology of the Person (1998)Socioeconomic Contributions of Adult Learning to Community: A Social Capital Perspective (2002)The Sociology of the Local: Action and its Publics (2010)The diaspora comes home: Disciplining desire in DDLJ (1998)Permeable Homes: Domestic Service, Household Space, and the Vulnerability of Class Boundaries in Urban India (2000)The last 20 years of visual anthropology – a critical review (2005)
this work references cited by second hop

References

  • 1995Consuming Modernity: Public Culture in a South Asian World653 cited
  • 1987Garfinkel and Ethnomethodology286 cited
  • 2001From How to Why249 cited
  • 1993Cinema and the Urban Poor in South India157 cited
  • 1994Cinema and the Urban Poor in South India70 cited
  • 1995Melodrama and the negotiation of morality in mainstream Hindi film69 cited

Cited by

  • 2010Ladies queues, ‘roadside Romeos,’ and balcony seating: Ethnographic observations on women's cinema-going experiences10 cited
  • 2008Tamil identity and diasporic desire in a Kollywoood comedy:Nala Damayanti(2003)10 cited
  • 2017A national cinema’s transnational aspirations? Considerations on “Bollywood”6 cited

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