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The classical style: Haydn, Mozart, Beethoven
0 references·16 citing·48 second hop
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  • 1992Cadential processes: The evaded cadence and the “one more time” technique174 cited
  • 2006Normalizing the Abnormal: Disability in Music and Music Theory172 cited
  • 2010Switchings under uncertainty: The coming and becoming of meanings160 cited
  • 2003The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style136 cited
  • 1979Schubert's Sonata Form and Brahms's First Maturity (II)82 cited
  • 2000Classical standards in the period78 cited
  • 1987Covert and Casual Values in Recent Writings about Music75 cited
  • 2012Harmony in Haydn and Mozart74 cited
  • 2000Religion and literature73 cited
  • 2000The transformation of rhetoric68 cited
  • 2016Schumann's Music and E. T. A. Hoffmann's Fiction67 cited
  • 2000Theories of genre66 cited
  • 2000The Cambridge History of Literary Criticism66 cited
  • 2001Bach: The Goldberg Variations63 cited
  • 1999"If the Pretty Little Hand Won't Stretch": Music for the Fair Sex in Eighteenth-Century Germany61 cited
  • 2011

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John Field and the Alternative History of Concerto First-Movement Form
57 cited