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How Music Matters: Some Songs of Robert Johnson in the Plays of Beaumont and Fletcher
16 references·3 citing·30 second hop
How Music Matters: Some Songs of Robert Johnson in the Plays of Beaumont and Fletcher (2000)How Music Matters: Some Songs of Robert J…1562: The Knight of the Burning Pestle (2015)1562: The Knight of the Burni…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…:The Dramatic Works in the Beaumont and Fletcher Canon (1996):The Dramatic Works in the Be…Music in English Children's Drama of the Later Renaissance (1994)Music in English Children's D…Beaumont and/or Fletcher: Collaboration and the Interpretation of Renaissance Drama (1992)Beaumont and/or Fletcher: Col…Court and Country Politics in the Plays of Beaumont and Fletcher (1990)Court and Country Politics in…"Sing Againe Syren": The Female Musician and Sexual Enchantment in Elizabethan Life and Literature (1989)"Sing Againe Syren": The Fema…The Subject of Tragedy: Identity and Difference in Renaissance Drama (1987)The Subject of Tragedy: Ident…Women and the English Renaissance: Literature and the Nature of Womankind 1540-1620 (1986)Women and the English Renaiss…Women in English Society, 1500-1800 (1985)Women in English Society, 150…Half Humankind: Contexts and Texts of the Controversy about Women in England, 1540-1640 (1985)Half Humankind: Contexts and …English Song: Dowland to Purcell (1974)English Song: Dowland to Purc…A History of Western Music (1960)A History of Western MusicSpiritual and Demonic Magic: From Ficino to Campanella (1958)Spiritual and Demonic Magic: …Harvard Dictionary of Music (1946)Harvard Dictionary of MusicThe Complete Works of Shakespeare (1854)The Complete Works of Shakesp…The Cambridge Companion to Shakespeare and Contemporary Dramatists (2012)The Cambridge Companion to Sh…Unraveling Beaumont from Fletcher with Music, Misogyny, and Masque (2004)Unraveling Beaumont from Flet…Women's use of music to motivate erotic desire in the drama of Beaumont and Fletcher (2001)Women's use of music to motiv…The Renaissance Notion of Woman (1980)Women and the English Renaissance: Literature and the Nature of Womankind, 1540–1620 (1985)‘Art to Enchant’: Musical Magic and its Practitioners in English Renaissance Drama (1990)Sonorous Bodies: Women and the Glass Harmonica (2000)The Cambridge History of Music Criticism (2019)Speech and Performance in Shakespeare's Sonnets and Plays (2002)Literature and London (2003)The 1549 Rebellions and the Making of Early Modern England (2007)Against Ethical Criticism (1997)The Novelty of Newspapers (2009)Editor's Column: Literature in the Ages of Wood, Tallow, Coal, Whale Oil, Gasoline, Atomic Power, and Other Energy Sources (2011)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Appendices: The rise of the philosophical textbook (1988)Moral philosophy (1988)The Emergence of a Scientific Culture (2006)The Cambridge History of Early Modern English Literature (2003)Children of the Queen's Revels (2005)Constructing the Canon of Early Modern Drama (2013)Thematic fame, melodic originality, and musical zeitgeist: A biographical and transhistorical content analysis. (1980)On Compositional Process in the Fifteenth Century (1987)Music, Mood, and Marketing (1990)Dufay at Cambrai: Discoveries and Revisions (1975)How German Is It? Nationalism and the Idea of Serious Music in the Early Nineteenth Century (1998)The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (2003)Women and Property: Women as Property (2002)Gender, Work and Wages in Industrial Revolution Britain (2008)Crediting Women in the Early Modern English Economy (2015)A History of Women's Political Thought in Europe, 1700–1800 (2014)
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References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1958Spiritual and Demonic Magic: From Ficino to Campanella551 cited
  • 1854The Complete Works of Shakespeare538 cited
  • 1987The Subject of Tragedy: Identity and Difference in Renaissance Drama506 cited
  • 1960A History of Western Music359 cited
  • 1946Harvard Dictionary of Music334 cited
  • 1985Half Humankind: Contexts and Texts of the Controversy about Women in England, 1540-1640210 cited
  • 1990Court and Country Politics in the Plays of Beaumont and Fletcher160 cited
  • 1989"Sing Againe Syren": The Female Musician and Sexual Enchantment in Elizabethan Life and Literature110 cited
  • 1985Women in English Society, 1500-1800105 cited
  • 1986Women and the English Renaissance: Literature and the Nature of Womankind 1540-1620104 cited
  • 1974English Song: Dowland to Purcell83 cited
  • 1996:The Dramatic Works in the Beaumont and Fletcher Canon73 cited
  • 1992Beaumont and/or Fletcher: Collaboration and the Interpretation of Renaissance Drama68 cited
  • 20151562: The Knight of the Burning Pestle65 cited
  • 1994

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Music in English Children's Drama of the Later Renaissance
42 cited

Cited by

  • 2004Unraveling Beaumont from Fletcher with Music, Misogyny, and Masque24 cited
  • 2001Women's use of music to motivate erotic desire in the drama of Beaumont and Fletcher17 cited
  • 2012The Cambridge Companion to Shakespeare and Contemporary Dramatists6 cited