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Pigments and binders in the wall paintings of Santa Maria della Steccata in Parma (Italy): the ultimate technique of Parmigianino
14 references·2 citing·32 second hop
Pigments and binders in the wall paintings of Santa Maria della Steccata in Parma (Italy): the ultimate technique of Parmigianino (2004)Pigments and binders in the wall painting…Raman spectroscopy of selected copper minerals of significance in corrosion (2003)Raman spectroscopy of selecte…Raman spectroscopic study of the basic copper sulphates—implications for copper corrosion and ‘bronze disease’ (2003)Raman spectroscopic study of …Raman microspectrometric investigation of wall paintings in S. Giovanni Evangelista Abbey in Parma: a comparison between two artists of the 16th century (2003)Raman microspectrometric inve…Non-destructive in situ determination of pigments in 15th century wall paintings by Raman microscopy (2003)Non-destructive in situ deter…Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Catalogue of 45 reference Ram…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Aspects of the Production of Cobalt‐blue Glass in Egypt (2001)Aspects of the Production of …Application of Raman microspectrometry to arts objects (2000)Application of Raman microspe…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Raman spectroscopic library o…Raman microscopy: The identification of lapis lazuli on medieval pottery fragments from the south of Italy (1997)Raman microscopy: The identif…Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings (1996)Gas chromatographic-mass spec…Some Improvements in the Study of Cross Sections (1991)Some Improvements in the Stud…De' veri precetti della pittura (1982)De' veri precetti della pittu…Cross-Sections and Chemical Analysis of Paint Samples (1956)Cross-Sections and Chemical A…Multi-analytical approach to the mural painting from an ancient tomb of Ming Dynasty in Jiyuan, China: Characterization of materials and techniques (2022)Multi-analytical approach to …A detailed micro‐Raman spectroscopic study of wall paintings of the period AD 100–200: effect of atmospheric conditions on the alteration of samples (2010)A detailed micro‐Raman spectr…Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Identification of anthraquinone coloring matters in natural red dyes by electrospray mass spectrometry coupled to capillary electrophoresis (2003)In situ investigations of vault paintings in the Antwerp cathedral (2009)In situ noninvasive Raman microspectroscopic investigation of polychrome plasterworks in the Alhambra (2012)The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)The Organic Chemistry of Museum Objects (1988)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings (1999)Classification and identification of organic binding media in artworks by means of Fourier transform infrared spectroscopy and principal component analysis (2011)Cleaning painted surfaces: evaluation of leaching phenomenon induced by solvents applied for the removal of gel residues (2014)Ceramics for the archaeologist (1956)Ceramics for the Archaeologist (1957)Pottery Analysis: A Sourcebook. (1990)Pigment identification studiesin situ of Javanese, Thai, Korean, Chinese and Uighur manuscripts by Raman microscopy (1999)The beautiful “Trionfo d’Amore” attributed to Botticelli: a chemical characterisation by proton-induced X-ray emission and micro-Raman spectroscopy (2001)Handheld XRF for Art and Archaeology (2013)VERMILION AND CINNABAR (1972)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Archaeometry and materiality: materials‐based analysis in theory and practice* (2004)Transition in the use of cobalt-blue colorant in the New Kingdom of Egypt (2012)Shades of blue – cobalt-copper coloured blue glass from New Kingdom Egypt and the Mycenaean world: a matter of production or colourant source? (2013)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)Raman microscopy in archaeological science (2004)Electrochemical and spectroscopic characterizations of patinas formed on an archaeological bronze coin (2005)In situ analysis of mediaeval wall paintings: a challenge for mobile Raman spectroscopy (2005)Micro-Raman study of copper hydroxychlorides and other corrosion products of bronze samples mimicking archaeological coins (2011)Investigation of degradation mechanisms by portable Raman spectroscopy and thermodynamic speciation: The wall painting of Santa María de Lemoniz (Basque Country, North of Spain) (2006)ATR-FTIR imaging for the analysis of organic materials in paint cross sections: case studies on paint samples from the National Gallery, London (2008)Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings (2010)
this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2003Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass422 cited
  • 2003Raman spectroscopy of selected copper minerals of significance in corrosion246 cited
  • 2003Raman spectroscopic study of the basic copper sulphates—implications for copper corrosion and ‘bronze disease’182 cited
  • 1956Cross-Sections and Chemical Analysis of Paint Samples180 cited
  • 1996Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings83 cited
  • 1997Raman microscopy: The identification of lapis lazuli on medieval pottery fragments from the south of Italy75 cited
  • 2001Aspects of the Production of Cobalt‐blue Glass in Egypt74 cited
  • 2003Non-destructive in situ determination of pigments in 15th century wall paintings by Raman microscopy60 cited
  • 1982De' veri precetti della pittura58 cited
  • 2003Raman microspectrometric investigation of wall paintings in S. Giovanni Evangelista Abbey in Parma: a comparison between two artists of the 16th century47 cited
  • 2000Application of Raman microspectrometry to arts objects

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47 cited
  • 1991Some Improvements in the Study of Cross Sections27 cited
  • Cited by

    • 2022Multi-analytical approach to the mural painting from an ancient tomb of Ming Dynasty in Jiyuan, China: Characterization of materials and techniques24 cited
    • 2010A detailed micro‐Raman spectroscopic study of wall paintings of the period AD 100–200: effect of atmospheric conditions on the alteration of samples22 cited