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Cited by

• 2017Tonality as Topic37 cited
• 1988New Approaches to the Linear Analysis of Music31 cited
• 1997The ♯IV(♭V) Hypothesis: Testing the Limits of Schenker's Theory of Tonality29 cited
• 1989Stravinsky's "Mass" and Stravinsky Analysis24 cited
• 1999Concepts of Harmony and Prolongation in Schoenberg's Op. 19/221 cited
• 2006Journal of Music Theoryover the Years13 cited
• 1981Tonal Focus in Atonal Music: Berg's op. 5/312 cited
• 1969A Schenker Bibliography12 cited
• 1982Music Analysis as Human Science? 'Le Sacre du Printemps' in Theory and Practice12 cited
• 1984Concepts of Prolongation and Bartók's Opus 2011 cited
• 2005Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics5 cited
• 2003Zones of Impingement: Two Movements from Bartók's Music for Strings, Percussion, and Celesta4 cited
• 2019Ornamentation as Gesture in Atonal Music4 cited