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Women playing men: Yue opera and social change in twentieth-century Shanghai
1 references·10 citing·33 second hop
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this work references cited by second hop

References

  • 2008Drama kings: players and publics in the re-creation of Peking opera, 1870-193754 cited

Cited by

  • 2012Gender and sexuality in modern Chinese history47 cited
  • 2018Trans-in-Asia, Asia-in-Trans44 cited
  • 2011Queering/Querying Cosmopolitanism: Queer Spaces in Shanghai25 cited
  • 2010Chinese Operas on Stage and Screen: A Short Introduction18 cited
  • 2010Operatic Ghosts on Screen: The Case of A Test of Love (1958)18 cited
  • 2014Adaptation as Hospitality: Shanghai Theatre Academy Winter Institute 2013 Performance Series16 cited
  • 2014The Avant-Garde and the Popular in Modern China: Tian Han and the Intersection of Performance and Politics10 cited
  • 2011The Public Face of Chinatown: Actresses, Actors, Playwrights, and Audiences of Chinatown Theaters in San Francisco during the 1920s9 cited
  • 2024Vocal Techniques Literacy in Huai Opera for School-Based Education in Shanghai Municipality, China7 cited
  • 2024Education and Literacy in Yue Opera: Historical Development in Shaoxing, Zhejiang Province, China4 cited

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