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• 2021Characterizing the pigments and paints of prehistoric artists81 cited
• 2012SELECTION AND HEATING OF COLOURING MATERIALS IN THE MOUSTERIAN LEVEL OF ES‐SKHUL (c. 100 000 YEARS BP, MOUNT CARMEL, ISRAEL)80 cited
• 2011ARTIFICIAL OR NATURAL ORIGIN OF HEMATITE‐BASED RED PIGMENTS IN ARCHAEOLOGICAL CONTEXTS: THE CASE OF RIPARO DALMERI (TRENTO, ITALY)73 cited
• 1999Tem observations of goethite dehydration: application to archaeological samples67 cited
• 2007Trace Element Fingerprinting of Australian Ocher Using Laser Ablation Inductively Coupled Plasma‐Mass Spectrometry (LA‐ICP‐MS) for the Provenance Establishment and Authentication of Indigenous Art*64 cited
• 2015Solutrean and Magdalenian ferruginous rocks heat-treatment: accidental and/or deliberate action?56 cited
• 2012An investigation into the properties of the ochre from Sibudu, KwaZulu-Natal, South Africa50 cited
• 2018Non-Destructive Multi-Analytical Approach to Study the Pigments of Wall Painting Fragments Reused in Mortars from the Archaeological Site of Pompeii (Italy)47 cited
• 2018Heat Treatment of Mineral Pigment During the Upper Palaeolithic in North‐East Italy44 cited
• 2011Characterization and origin of black and red Magdalenian pigments from Grottes de la Garenne (Vallée moyenne de la Creuse-France): a mineralogical and geochemical approach of the study of prehistorical paintings36 cited
• 2021Invasive and Non-Invasive Analyses of Ochre and Iron-Based Pigment Raw Materials: A Methodological Perspective36 cited