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‘See, the conquering hero comes! Sound the trumpets, beat the drums’: music and sport in England, 1880–1939
14 references·0 citing·27 second hop
‘See, the conquering hero comes! Sound the trumpets, beat the drums’: music and sport in England, 1880–1939 (2013)‘See, the conquering hero comes! Sound th…His Life and Times (2014)His Life and TimesA cultural history (2012)A cultural historyFriday night and the gates are low: Popular music and its relationship(s) to sport (2010)Friday night and the gates ar…Abiding memories: the community singing movement and English social life in the 1920s (2007)Abiding memories: the communi…“We are the Champions”: Masculinities, Sports and Popular Music (2006)“We are the Champions”: Mascu…The music hall (2004)The music hallMusic for the People: Popular Music and Dance in Interwar Britain (2002)Music for the People: Popular…The British brass band: a musical and social history (2001)The British brass band: a mus…The British Brass Band (2000)The British Brass BandClasses and Cultures (1998)Classes and CulturesRite of spring: Cup Finals and community in the north of England. (1996)Rite of spring: Cup Finals an…Sport and the British: a modern history (1990)Sport and the British: a mode…Popular Music in England, 1840-1914. A Social History (1989)Popular Music in England, 184…British music hall on record (1979)British music hall on recordThe Uses of Literacy (1957)A Social History of English Music (1965)The Imagined Village. Culture, Ideology and the English Folk Revival (1994)Choral Research : A Global Bibliography (2010)The Sounds of the Silents in Britain (2012)“It just fills you up”: The culture of monthly community singing events in one American city (2022)The social implications of demographic change (1990)The Cambridge History of British Theatre (2004)AUDIENCE DEVELOPMENT AND SOCIAL INCLUSION IN BRITAIN (2006)Heritage erasure: rethinking ‘protection’ and ‘preservation’ (2014)The Fitness Revolution. Historical Transformations in the Global Gym and Fitness Culture (2014)What is maritime security? (2014)REIMAGING THE CITY (2005)Environmentalism and the bicycle (2006)Wielding the Willow: Processes of Institutional Change in English County Cricket (2012)Vocal performance in the seventeenth century (2012)Brass Bands of the World: Militarism, Colonial Legacies, and Local Music Making (2016)Class, Control, and Classical Music (2019)Consumerism in Twentieth-Century Britain (2003)Respectability, Roughness and ‘Race’: Neighbourhood Place Images and the Making of Working‐Class Social Distinctions in London (2006)Class and Status: The Conceptual Distinction and its Empirical Relevance (2007)Continuity, change and performativity in leisure: English folk dance and modernity 1900–1939 (2009)'Beats apart': a comparative history of youth culture and popular music in Liverpool and Newcastle upon Tyne, 1956 - 1965 (2010)Rhythms of Labour: Music at Work in Britain (2013)How are we to write our music history? Perspectives on the historiography of military music (2002)Improvisation and Entrepreneurial Bricolage versus Rationalisation: A case-based analysis of contrasting responses to economic instability in the UK brass musical instruments industry (2014)Performing sex: The representation of male and female musicians in three genres of music performance (2022)
this work references cited by second hop

References

  • 1998Classes and Cultures606 cited
  • 1990Sport and the British: a modern history549 cited
  • 1989Popular Music in England, 1840-1914. A Social History173 cited
  • 2012A cultural history150 cited
  • 2001The British brass band: a musical and social history107 cited
  • 2000The British Brass Band64 cited
  • 2014His Life and Times47 cited
  • 2007Abiding memories: the community singing movement and English social life in the 1920s41 cited
  • 2002Music for the People: Popular Music and Dance in Interwar Britain38 cited
  • 1996Rite of spring: Cup Finals and community in the north of England.29 cited
  • 2006“We are the Champions”: Masculinities, Sports and Popular Music26 cited
  • 2004The music hall8 cited
  • 2010Friday night and the gates are low: Popular music and its relationship(s) to sport7 cited
  • 1979British music hall on record6 cited

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