Music for the People: Popular Music and Dance in Interwar Britain

James Nott

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Music History and Culture Musicology and Musical Analysis Theater, Performance, and Music History

Abstract

INTRODUCTION 1. THE RISE OF THE GRAMOPHONE AND THE DEVELOPMENT OF THE BRITISH GRAMOPHONE INDUSTRY 2. The Role of the Gramophone in Daily Life in Interwar Britain and its Effect on Musical Culture 3. Radio, Cinema, and Popular Music in Interwar Britain 4. DEVELOPMENTS IN LIVE MUSIC 1918 TO 1939: FROM PERFORMERS TO LISTENERS 5. Live Music: Dance Bands, Dance Music, and Dance Musicians 6. The Expansion and Development of the Dance Hall Industry 7. The Experience of Dancing, Dance Halls, and the Dance Culture 1918-1939 8. TASTES IN POPULAR MUSIC 1918-1939 Conclusion

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2009Continuity, change and performativity in leisure: English folk dance and modernity 1900–1939 2013Rhythms of Labour: Music at Work in Britain 2010'Beats apart': a comparative history of youth culture and popular music in Liverpool and Newcastle upon Tyne, 1956 - 1965 2014Musicians as Workers: Putting the UK Musicians' Union into Context 2013Alien invasions: the British Musicians' Union and foreign musicians 2008'Parisomania'? Jack Hylton and the French Connection 2009Jazzing a Classic: Hylton and Stravinsky'sMavraat the Paris Opéra 2013‘See, the conquering hero comes! Sound the trumpets, beat the drums’: music and sport in England, 1880–1939

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