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The Authority of Music Criticism
4 references·6 citing·34 second hop
The Authority of Music Criticism (1981)The Authority of Music CriticismThe Musical Experience of Composer, Performer, Listener (1951)The Musical Experience of Com…Style and Idea (1950)Style and IdeaEssays in Musical Analysis (1937)Essays in Musical AnalysisEssays in Musical Analysis (1935)Essays in Musical AnalysisOn Subjectivity and Objectivity in the Semiotic Inquiry of Music (2024)On Subjectivity and Objectivi…The critic’s voice: On the role and function of criticism of classical music recordings (2022)The critic’s voice: On the ro…Género y prensa en la musicología histórica. Notas preliminares (2021)Género y prensa en la musicol…Consumers on Critique: A Survey of Classical Music Listeners’ Engagement with Professional Music Reviews (2020)Consumers on Critique: A Surv…The Musical Semiotics of Timbre in the Human VoiceandStatic Takes Love's Body (2006)The Musical Semiotics of Timb…An Informal Introduction to Some Formal Concepts from Lewin's Transformational Theory (2004)An Informal Introduction to S…Music Theory, Phenomenology, and Modes of Perception (1986)Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective (1998)Journal of Music Theoryover the Years (2006)Bach and the Patterns of Transformation (2015)Hipster Harmony (2015)Image-Music-Text (1977)Feminine Endings: Music, Gender, and Sexuality (1992)Signs of Imagination, Identity, and Experience: A Peircian Semiotic Theory for Music (1999)Changing Highbrow Taste: From Snob to Omnivore (1996)Doing Cultural Studies: The Story of the Sony Walkman (1997)What is journalism? (2005)Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes (2023)Gender: A Useful Category of Historical Analysis (1986)Language, Power and Ideology (1989)Interpreting the Musical Past (2005)Distinction: A Social Critique of the Judgement of Taste. (1985)Qualitative research practice: a guide for social science students and researchers (2003)Applied Thematic Analysis (2012)Metaphor: A Practical Introduction (2002)Evaluating Conceptual Metaphor Theory (2011)Frascati Manual 2015 (2015)Mendelssohn the progressive (1989)Time, Morality, and Humanity in Beethoven's "Pastoral" Symphony (1997)Difference and Enlightenment in Haydn’s instrumental music (2014)The Process of Janusian Thinking in Creativity (1971)Notes on improvisation and time in organizations (1999)The Onset of Language (2003)A social interaction model of reading∗ (1981)Images of Imagination (1990)Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop (2020)Schubert's Sonata Form and Brahms's First Maturity (II) (1979)The Effect of Background Music on Ad Processing: A Contingency Explanation (1993)A quantitative analysis of Beethoven as self-critic: implications for psychological theories of musical creativity (2006)
this work references cited by second hop

References

  • 1950Style and Idea204 cited
  • 1935Essays in Musical Analysis109 cited
  • 1951The Musical Experience of Composer, Performer, Listener95 cited
  • 1937Essays in Musical Analysis33 cited

Cited by

  • 2004An Informal Introduction to Some Formal Concepts from Lewin's Transformational Theory14 cited
  • 2020Consumers on Critique: A Survey of Classical Music Listeners’ Engagement with Professional Music Reviews8 cited
  • 2022The critic’s voice: On the role and function of criticism of classical music recordings4 cited
  • 2024On Subjectivity and Objectivity in the Semiotic Inquiry of Music3 cited
  • 2006The Musical Semiotics of Timbre in the Human VoiceandStatic Takes Love's Body3 cited
  • 2021Género y prensa en la musicología histórica. Notas preliminares3 cited

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