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Mise en scene is dead, or the expressive, the excessive, the technical and the stylish
16 references·1 citing·30 second hop
Mise en scene is dead, or the expressive, the excessive, the technical and the stylish (1992)Mise en scene is dead, or the expressive,…The Australian Journal of Screen Theory (2018)The Australian Journal of Scr…Signs and Meaning in the Cinema (2013)Signs and Meaning in the Cine…Narration in the Fiction Film (2013)Narration in the Fiction FilmThe illusion of life: essays on animation (1992)The illusion of life: essays …Film as film : understanding and judging movies (1991)Film as film : understanding …French film: texts and contexts (1990)French film: texts and contex…Breaking the Glass Armor (1988)Breaking the Glass ArmorHollywood from Vietnam to Reagan (1986)Hollywood from Vietnam to Rea…Cinema I (1986)Cinema IFilm Style and Technology: History and Analysis (1983)Film Style and Technology: Hi…The rhetoric of filmic narration (1982)The rhetoric of filmic narrat…Questions of Cinema (1981)Questions of CinemaMachines of the Visible (1980)Machines of the VisibleHitchcock, the first forty-four films (1979)Hitchcock, the first forty-fo…Performance in Postmodern Culture (1978)Performance in Postmodern Cul…Signs and Meaning in the Cinema (1970)Signs and Meaning in the Cine…Labyrinths of loss (2006)Labyrinths of lossFictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)Twelve Fallacies in Contemporary Adaptation Theory (2003)A philosophy of cinematic art (2010)Theorizing Adaptation (2020)Moving image theory: ecological considerations (2005)Quicker, Faster, Darker: Changes in Hollywood Film over 75 Years (2011)The Attentional Theory of Cinematic Continuity (2012)Representing Whiteness in the Black Imagination (1997)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)What's the Point of an Index? or, Faking Photographs (2008)Russian Formalism (1995)The Cambridge History of Literary Criticism (1995)Identity Formation, Space and Social Centrality (1996)Death Every Afternoon (2003)What is the Avatar? Fiction and Embodiment in Avatar-Based Singleplayer Computer Games (2006)Techniques of Inattention: The Mediality of Loudspeakers in Nigeria (2014)Moving Pictures (1999)Understanding Cinema (2003)The Routledge Companion to Aesthetics (2005)Dead Geographies—And How to Make Them Live (2000)Witnessing Space: ‘Knowledge without Contemplation’ (2003)On Geography and Materiality (2008)Cinema of outsiders: the rise of American independent film (2000)Media and Violence: Gendering the Debates (2005)Transformations: Thinking Through Feminism (2005)A Content Analysis of Animation and Animated Spokes-Characters in Television Commercials (1994)Living brands: consumer responses to animated brand logos (2015)The Cambridge Companion to Film Music (2016)
this work references cited by second hop

References

  • 1986Cinema I1,503 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 1981Questions of Cinema599 cited
  • 1986Hollywood from Vietnam to Reagan578 cited
  • 1983Film Style and Technology: History and Analysis280 cited
  • 1988Breaking the Glass Armor264 cited
  • 1991Film as film : understanding and judging movies226 cited
  • 1978Performance in Postmodern Culture162 cited
  • 1980Machines of the Visible159 cited
  • 1992The illusion of life: essays on animation134 cited
  • 1979Hitchcock, the first forty-four films94 cited
  • 2013Signs and Meaning in the Cinema86 cited
  • 1970Signs and Meaning in the Cinema54 cited
  • 2018The Australian Journal of Screen Theory48 cited
  • 1990French film: texts and contexts42 cited
  • 1982The rhetoric of filmic narration41 cited

Cited by

  • 2006Labyrinths of loss6 cited

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