SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Voicing of the Voiceless in Tan Dun’s The Map : Horizon of Expectation and the Rhetoric of National Style
14 references·3 citing·32 second hop
The Voicing of the Voiceless in Tan Dun’s The Map : Horizon of Expectation and the Rhetoric of National Style (2008)The Voicing of the Voiceless in Tan Dun’s…Feminism and the Politics of Difference (2019)Feminism and the Politics of …Reconsidering cultural politics in the analysis of contemporary Chinese music: The case of Ghost Opera (2007)Reconsidering cultural politi…Corruption by design: building clean government in mainland China and Hong Kong (2005)Corruption by design: buildin…Music—Drastic or Gnostic? (2004)Music—Drastic or Gnostic?Locating East Asia in Western Art Music (2003)Locating East Asia in Western…Can the Subaltern Speak? (2003)Can the Subaltern Speak?Western music and its others : difference, representation, and appropriation in music (2000)Western music and its others …Dangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 1949 (2000)Dangerous Tunes: The Politics…Fuck Chineseness: On the Ambiguities of Ethnicity as Culture as Identity (1996)Fuck Chineseness: On the Ambi…The Rhetoric of Genre: Chopin's Nocturne in G Minor (1988)The Rhetoric of Genre: Chopin…The Power of Genre (1988)The Power of GenreKinds of Literature: An Introduction to the Theory of Genres and Modes (1984)Kinds of Literature: An Intro…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Marxism and the Interpretation of Culture (1400)Marxism and the Interpretatio…Catching Up with the West? Historiographical stances in early accounts of Chinese electronic music (2022)Catching Up with the West? Hi…Performing Studies of Music in Asian Cultures: Some Personal Reflections on What We Have Been and Are Up To (2014)Performing Studies of Music i…Heteroglossia and Traditional Vocal Genres in Chinese-Western Fusion Concertos (2013)Heteroglossia and Traditional…Lipstick traces: a secret history of the twentieth century (1990)Analysing Musical Multimedia (1998)Choreomusical Conversations: Facing a Double Challenge (2011)Actor-Networks in Music History: Clarifications and Critiques (2014)Race, Blacksound, and the (Re)Making of Musicological Discourse (2019)The Problem of Speaking for Others (1991)The Post-Colonial Studies Reader (1996)THE EMERGENCE OF MULTISPECIES ETHNOGRAPHY (2010)Psychonarratology foundations for the empirical study of literary response (2003)The Anthropology of Texts, Persons and Publics (2007)Classification as Culture: Types and Trajectories of Music Genres (2008)Critical Discourse Analysis and the Marketization of Public Discourse: The Universities (1993)Resistance and the Problem of Ethnographic Refusal (1995)Confession, catharsis, or cure? Rethinking the uses of reflexivity as methodological power in qualitative research (2003)A Methodological Framework for the Sociology of Culture (1987)After Definitions: Genre, Categories, and Cognitive Science (2002)Genera Mixta: Conceptual Blending and Mixed Genres in Ulysses (2005)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)East Meets West in the Concert Hall: Asians and Classical Music in the Century of Imperialism, Post-Colonialism, and Multiculturalism (2007)Western music as world music (2013)Performance Practice in the Music of Steve Reich (2016)Critical reflections on “Chinese capitalism” as paradigm (1997)Media, the Olympics and the Search for the “Real China” (2009)Materialized Oppression in Medical Tools and Technologies (2022)The Law and Economics of Bribery and Extortion (2010)Decentralization and Veiled Corruption Under China's 'Rule of Mandates' (2013)Controlling Corruption in the Party: China's Central Discipline Inspection Commission (2014)Music and the Global Order (2004)Subcultures, Scenes or Tribes? None of the Above (2005)Transnational Migration Studies: Past Developments and Future Trends (2007)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 2003Can the Subaltern Speak?4,166 cited
  • 1400Marxism and the Interpretation of Culture2,085 cited
  • 2000Western music and its others : difference, representation, and appropriation in music559 cited
  • 2004Music—Drastic or Gnostic?550 cited
  • 1984Kinds of Literature: An Introduction to the Theory of Genres and Modes473 cited
  • 1996Fuck Chineseness: On the Ambiguities of Ethnicity as Culture as Identity314 cited
  • 2005Corruption by design: building clean government in mainland China and Hong Kong233 cited
  • 1988The Power of Genre116 cited
  • 2003Locating East Asia in Western Art Music99 cited
  • 2019Feminism and the Politics of Difference84 cited
  • 1988The Rhetoric of Genre: Chopin's Nocturne in G Minor77 cited
  • 2000Dangerous Tunes: The Politics of Chinese Music in Hong Kong, Taiwan, and the People's Republic of China Since 194926 cited
  • 2007Reconsidering cultural politics in the analysis of contemporary Chinese music: The case of Ghost Opera8 cited

Cited by

  • 2013Heteroglossia and Traditional Vocal Genres in Chinese-Western Fusion Concertos

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

3 cited
  • 2014Performing Studies of Music in Asian Cultures: Some Personal Reflections on What We Have Been and Are Up To3 cited
  • 2022Catching Up with the West? Historiographical stances in early accounts of Chinese electronic music2 cited