SZodixStudyAcademic Library
DashboardShelvesOpen accessMy libraryInboxNotesWriteLearnAlerts
More
Ask your libraryNotificationsQuick citeReview
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Popular Music Studies and Ethnomusicology in Australasia
16 references·1 citing·35 second hop
Popular Music Studies and Ethnomusicology in Australasia (2013)Popular Music Studies and Ethnomusicology…Caught on the Back Foot: epistemic inertia and visible music (2012)Caught on the Back Foot: epis…Stories of reconciliation: Building cross-cultural collaborations between indigenous musicians and undergraduate music students in Tennant creek (2011)Stories of reconciliation: Bu…Many Voices: Music and National Identity in Aotearoa/New Zealand (2010)Many Voices: Music and Nation…Sounds of then, sounds of now : popular music in Australia (2008)Sounds of then, sounds of now…War in Rapanui Music: A History of Cultural Representation (2006)War in Rapanui Music: A Histo…Challenges to the Euroamericentric Ethnomusicological Canon: Alternatives for Graduate Readings, Theory, and Method (2006)Challenges to the Euroamerice…Music and technoculture (2004)Music and technocultureCultural Studies in Aotearoa New Zealand: Identity, Space and Place (2004)Cultural Studies in Aotearoa …Weavers of song: Polynesian music and dance (2000)Weavers of song: Polynesian m…The Didjeridu: From Arnhem Land to Internet (1997)The Didjeridu: From Arnhem La…What's Mine is Yours? Cultural Borrowing in a Pacific Context (1996)What's Mine is Yours? Cultura…Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania (1996)Popular Music and Local Ident…Musicological Research in Australia 1979-1984 (1984)Musicological Research in Aus…The Processes and Results of Musical Culture Contact: A Discussion of Terminology and Concepts (1981)The Processes and Results of …Musics of many cultures : an introduction (1981)Musics of many cultures : an …8. Polynesian Music and Dance (1980)8. Polynesian Music and DancePopular music education (2017)Popular music educationStrains of Change: The Impact of Tourism on Hawaiian Music (1987)Migration and Transnationalism: Pacific Perspectives (2009)Plesand Popular Music Production: A Typology of Home-based Recording Studios in Port Moresby, Papua New Guinea (2014)Acculturation. The Study of Culture Contact (1939)Acculturation In Seven American Indian Tribes (1940)Interpreting world music: a challenge in theory and practice (1997)Rethinking Safeguarding: Objections and Responses to Protecting and Promoting Endangered Musical Heritage (2012)Sounding the Cape (2013)Outline of a Theory of Practice. (1980)Dub: soundscapes and shattered songs in Jamaican reggae (2007)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)The Interpretation of Cultures (2017)Distinction: A Social Critique of the Judgement of Taste* (2018)Panpipes as units of cultural analysis and dispersal (2020)The Overlooked Tradition of “Personal Music” and Its Place in the Evolution of Music (2020)The evolution of human music in light of increased prosocial behavior: a new model (2023)“We Sing Our Home, We Dance Our Land”: Indigenous Self-Determination and Contemporary Geopolitics in Australian Popular Music (1998)Appropriating the Didjeridu and the Sweat Lodge: New Age Baddies and Indigenous Victims? (2002)The Art of Doing (Geographies of) Music (2007)Whose Ethnomusicology? Western Ethnomusicology and the Study of Asian Music (1997)Art music from 1800 to 1860 (1998)Performance Practice in the Music of Steve Reich (2016)Phonotactics (2023)The Oxford Guide to Australian Languages (2023)The revitalization of the sleeping Tasmanian Aboriginal languagespalawa kani (2023)Transcultural Latino: Negotiating Music Industry Expectations of Latin American Migrant Musicians in Australasia (2013)Gender, race, and the ma(s)king of ‘Joni Mitchell’ (2016)The Cambridge Companion to the Singer-Songwriter (2016)Sustaining edges: CSR, postmodern play, and SMEs (2005)From both sides of the indigenous-settler hyphen in Aotearoa New Zealand (2016)Haumanu ipukarea, ki uta ki tai : (re)connecting to landscape and reviving the sense of belonging for health and wellbeing (2018)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Consolidating the music scenes perspective (2004)The post-subcultural turn: some reflections 10 years on (2011)
this work references cited by second hop

References

  • 1996Popular Music and Local Identity: Rock, Pop and Rap in Europe and Oceania215 cited
  • 2004Music and technoculture181 cited
  • 1981The Processes and Results of Musical Culture Contact: A Discussion of Terminology and Concepts135 cited
  • 1984Musicological Research in Australia 1979-198492 cited
  • 2000Weavers of song: Polynesian music and dance69 cited
  • 2004Cultural Studies in Aotearoa New Zealand: Identity, Space and Place64 cited
  • 1997The Didjeridu: From Arnhem Land to Internet61 cited
  • 1981Musics of many cultures : an introduction51 cited
  • 2010Many Voices: Music and National Identity in Aotearoa/New Zealand49 cited
  • 1996What's Mine is Yours? Cultural Borrowing in a Pacific Context39 cited
  • 2008Sounds of then, sounds of now : popular music in Australia30 cited
  • 2012Caught on the Back Foot: epistemic inertia and visible music29 cited
  • 2006Challenges to the Euroamericentric Ethnomusicological Canon: Alternatives for Graduate Readings, Theory, and Method23 cited
  • 2006War in Rapanui Music: A History of Cultural Representation20 cited
  • 2011Stories of reconciliation: Building cross-cultural collaborations between indigenous musicians and undergraduate music students in Tennant creek

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

19 cited
  • 19808. Polynesian Music and Dance18 cited
  • Cited by

    • 2017Popular music education4 cited