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Benefits of applying combined diffuse reflectance FTIR spectroscopy and principal component analysis for the study of blue tempera historical painting
10 references·16 citing·41 second hop
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this work references cited by second hop

References

  • 2007Pigment Compendium: A Dictionary of Historical Pigments470 cited
  • 2005Colour and art: A brief history of pigments205 cited
  • 2005Spectroscopic Techniques in Cultural Heritage Conservation: A Survey182 cited
  • 2007Nondestructive Analysis and Dating of Historical Paper Based on IR Spectroscopy and Chemometric Data Evaluation138 cited
  • 2007Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification98 cited
  • 2006Diffuse reflection FTIR spectral database of dyes and pigments87 cited
  • 2008Multispectral and hyperspectral image analysis of elemental and micro-Raman maps of cross-sections from a 16th century painting77 cited
  • 1998Chemometrics and cultural heritage59 cited
  • 1995Ancient Binding Media, Varnishes and Adhesives57 cited
  • 2003Disposable Indicators for Monitoring Lighting Conditions in Museums18 cited

Cited by

  • 2014Applicability of a Diffuse Reflectance Infrared Fourier Transform handheld spectrometer to perform in situ analyses on Cultural Heritage materials55 cited
  • 2015Portable diffuse reflectance infrared Fourier transform (DRIFT) technique for the non-invasive identification of canvas ground: IR spectra reference collection53 cited
  • 2013Advanced discriminating criteria for natural organic substances of Cultural Heritage interest: Spectral decomposition and multivariate analyses of FT-Raman and FT-IR signatures

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52 cited
  • 2010Raman spectroscopic discrimination of pigments and tempera paint model samples by principal component analysis on first‐derivative spectra51 cited
  • 2008Innovative Analytical Methodology Combining Micro-X-Ray Diffraction, Scanning Electron Microscopy-Based Mineral Maps, and Diffuse Reflectance Infrared Fourier Transform Spectroscopy to Characterize Archeological Artifacts47 cited
  • 2014Combined approach of FT‐Raman, SERS and IR micro‐ATR spectroscopies to enlighten ancient technologies of painted and varnished works of art40 cited
  • 2012Combining infrared spectroscopy with chemometric analysis for the characterization of proteinaceous binders in medieval paints38 cited
  • 2018Towards the non-invasive proteomic analysis of cultural heritage objects35 cited
  • 2014Towards a non-invasive quantitative analysis of the organic components in museum objects varnishes by vibrational spectroscopies: Methodological approach35 cited
  • 2010A study of the interaction between rabbit glue binder and blue copper pigment under UV radiation: A spectroscopic and PCA approach34 cited
  • 2015In situ DRIFT, Raman, and XRF implementation in a multianalytical methodology to diagnose the impact suffered by built heritage in urban atmospheres34 cited
  • 2012Collagen‐based proteinaceous binder‐pigment interaction study under UV ageing conditions by MALDI‐TOF‐MS and principal component analysis31 cited
  • 2011Assessment of Raman microscopy coupled with principal component analysis to examine egg yolk–pigment interaction based on the protein CH stretching region (3100–2800 cm−1)30 cited
  • 2016Microchemical Study of Pigments and Binders in Polychrome Relics from Maiji Mountain Grottoes in Northwestern China22 cited
  • 2025Fourier Transform Infrared (FTIR) Database of Historical Pigments: A Comparison Between ATR-FTIR and DRIFT Modalities19 cited
  • 2014Determination of the pigments present in a wallpaper of the middle nineteenth century: The combination of mid-diffuse reflectance and far infrared spectroscopies18 cited