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Non‐destructive micro‐Raman and X‐ray fluorescence spectroscopy on pre‐Eyckian works of art—verification with the results obtained by destructive methods

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References

2002Pigment identification by spectroscopic means: an arts/science interface183 cited
1999Investigation of pigments in medieval manuscripts by micro raman spectroscopy and total reflection X-ray fluorescence spectrometry101 cited
2004A new instrument adapted to in situ Raman analysis of objects of art95 cited
2001Non‐destructive analysis of paintings using Fourier transform Raman spectroscopy with fibre optics72 cited
2004Identification of nineteenth century blue and green pigments by in situ x‐ray fluorescence and micro‐Raman spectroscopy69 cited
2004The Perugino's palette: integration of an extended in situ XRF study by Raman spectroscopy52 cited
2004Study of Gustave Moreau's black drawings: identification of the graphic materials by Raman microspectrometry and PIXE41 cited
1995Ultra-Microanalysis of Inorganic Pigments on Painted Objects by Total Reflection X-Ray Fluorescence Analysis30 cited
1997Micro and Surface Analysis in Art and Archaeology23 cited

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2014ToF‐SIMS investigation of gilt and painted leather: identification of indigo, oil binder and gold varnish14 cited

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