The Eye of Power: POSTWAR FORDISM AND THE PANOPTIC CORPORATION INTHE APARTMENT

Unknown author

11 citations0/0 files storedJournal of Popular Film and Television

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Cinema History and Criticism Cinema and Media Studies Literature, Film, and Journalism Analysis

Abstract

In this article, The Apartment (1960) is genre contextualized as a corporation narrative in a reading that situates the film in relation to three types of power structure: firstly, of postwar Fordism; secondly, according to a conception of the panoptic corporation; and thirdly, as a Cold War text.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 11 citations exist upstream.

References

1980Power/Knowledge: Selected Interviews and Other Writings 1972-1977 1978Discipline and Punish: The Birth of the Prison.1996Discipline and Punish: The Birth of the Prison.1974Labor and Monopoly Capital 1912The Principles of Scientific Management.2015Principles of Scientific Management, The 1991The Condition of Postmodernity: An Enquiry into the Origins of Cultural Change 1990The condition of postmodernity: an enquiry into the origins of cultural change

Explore the map →

Papers that cite the same references — the relational fallback while embeddings are still backfilling.

Imported from OpenAlex (CC0) — nothing here is generated.