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Rhetoric and Fugue: An Analytical Application
8 references·4 citing·34 second hop
Rhetoric and Fugue: An Analytical Application (1990)Rhetoric and Fugue: An Analytical Applica…Der vollkommene Capellmeister (2025)Der vollkommene CapellmeisterA Handbook to Sixteenth-Century Rhetoric (2023)A Handbook to Sixteenth-Centu…Classical Rhetoric and Its Christian and Secular Tradition from Ancient to Modern Times (1999)Classical Rhetoric and Its Ch…Handbuch der musikalischen Figurenlehre (1987)Handbuch der musikalischen Fi…The New Grove Dictionary of Music and Musicians (1982)The New Grove Dictionary of M…Ciceronians versus Aristotelians on the Ricercar as Exordium, from Bembo to Bach (1979)Ciceronians versus Aristoteli…Fugue and Rhetoric (1977)Fugue and RhetoricDe Inventione (1949)De InventioneThe evolution of human music in light of increased prosocial behavior: a new model (2023)The evolution of human music …The (Co)Evolution of Language and Music Under Human Self-Domestication (2023)The (Co)Evolution of Language…Mersenne and the Art of Delivery (2015)Mersenne and the Art of Deliv…Heads and Tails: Subject Play in Bach's Fugues (2008)Heads and Tails: Subject Play…Harvard Dictionary of Music (1946)A History of Literary Criticism in the Italian Renaissance (1962)The Source for Bach's Musical Offering: The Musical Offering of Quintilian (1980)J. S. Bach's "St. Matthew Passion": Aspects of Planning, Structure, and Chronology (1982)Dizionario della lingua italiana (1993)“Die Ochsen am Berge”: Franz Xaver Süssmayr and the Orchestration of Mozart's Requiem, K. 626 (2008)The Origin of Speech (1960)The origin of speech. (1960)Cross-Cultural Psychology: Research and Applications (1992)Nocturnal selective pressures on the evolution of human musicality as a missing piece of the adaptationist puzzle (2023)Hominin musical sound production: palaeoecological contexts and self domestication (2024)The magical number seven, plus or minus two: Some limits on our capacity for processing information. (1994)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)Genetic history of an archaic hominin group from Denisova Cave in Siberia (2010)Figures of rhetoric/Figures of music? (1984)The Stretto Principle: Some Thoughts on Fugue as Form (1990)Subjects and Phrase Boundaries in Two Keyboard Fugues by J. S. Bach (2018)The Marriage of Edward III and the Transmission of French Motets to England (1992)The earliest writing? Sign use in the seventh millennium BC at Jiahu, Henan Province, China (2003)Phylogenetics and Material Cultural Evolution (2007)Dietrich Bartel, Musica Poetica. Lincoln, Nebraska, University of Nebraska Press. 1997. xv + 471 pp. (1999)Musica Poetica und Musikalische Figurenlehre — ein Produktives Missverständnis (2001)Rhetorical hybrids: Fusions of generic elements (1982)Implicit writing beliefs and their relation to writing quality (2004)What Can Automation Tell Us About Agency? (2007)English Republicanism (1991)Grotius and Selden (1991)Hobbes on Representation (2005)Moral philosophy (1988)The Cambridge History of the English Language (2000)Rhetorical Style (2011)Idealism and the Aesthetics of Instrumental Music at the Turn of the Nineteenth Century (1997)Theories of musical rhythm in the eighteenth and nineteenth centuries (2002)Music as Discourse (2008)
this work references cited by second hop

References

  • 1999Classical Rhetoric and Its Christian and Secular Tradition from Ancient to Modern Times509 cited
  • 2025Der vollkommene Capellmeister319 cited
  • 1949De Inventione264 cited
  • 1982The New Grove Dictionary of Music and Musicians200 cited
  • 2023A Handbook to Sixteenth-Century Rhetoric132 cited
  • 1977Fugue and Rhetoric34 cited
  • 1987Handbuch der musikalischen Figurenlehre25 cited
  • 1979Ciceronians versus Aristotelians on the Ricercar as Exordium, from Bembo to Bach22 cited

Cited by

  • 2023The evolution of human music in light of increased prosocial behavior: a new model20 cited
  • 2023The (Co)Evolution of Language and Music Under Human Self-Domestication19 cited
  • 2008Heads and Tails: Subject Play in Bach's Fugues4 cited
  • 2015Mersenne and the Art of Delivery3 cited

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