Citation map · Study

SZodixStudyAcademic Library

Shelves Open access

Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated

Nazi punks folk off: leisure, nationalism, cultural identity and the consumption of metal and folk music

12 references·13 citing·39 second hop

FromToDepth

this work references cited by second hop

References

2023Black Skin, White Masks6,308 cited
1985THE SYMBOLIC CONSTRUCTION OF COMMUNITY2,432 cited
2013– The Symbolic Construction of Community1,837 cited
2005Cartographies of Diaspora572 cited
1994The Imagined Village. Culture, Ideology and the English Folk Revival270 cited
2006Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans201 cited
2000'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene195 cited
1988Fakesong. The Manufacture of British 'Folksong' 1700 to the Present Day150 cited
2011Critique and Renewal in the Sociology of Music: Bourdieu and Beyond139 cited
2004Subcultures, Pop Music and Politics: Skinheads and "Nazi Rock" in England and Germany100 cited
2005Electric Folk84 cited
2011Grim Up North: Northern England, Northern Europe and Black Metal55 cited

Cited by

2020Burzum shirts, paramilitarism and National Socialist Black Metal in the twenty-first century51 cited
2021The Recording Industry as the Enemy? A Case Study of Early West German Metal Music48 cited
2015‘To Holmgard … and Beyond’: Folk metal fantasies and hegemonic white masculinities

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

39 cited

2018Vaporwave21 cited

2017A ‘Different Class’? Homophily and Heterophily in the Social Class Networks of Britpop16 cited

2020The Sex Playlist: How Race and Ethnicity Mediate Musically “Composed” Sexual Self-Formation10 cited

2020Popular Music, Technology, and the Changing Media Ecosystem10 cited

2014From serious leisure to serious work, or, when folk music struck a chord: careers, Habermasian rationality and agency9 cited

2017‘Plus ça Change, Plus C'est la Même Chose’: Music Promoting, Digital Leisure, Social Media and Community9 cited

2017‘Yours is the Earth and everything that’s in it, and – which is more – you’ll be a man, my son’: Myths of British masculinity and Britishness in the construction and reception of Iron Maiden8 cited

2023Significantly Othered: Limp Bizkit and the Politics of Nu Metal “Otherness”4 cited

2014The Lived experience of the popular music festival-goer.4 cited

2020From The Wicker Man (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism3 cited