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Characterization of Proteins in Paint Media by Immunofluorescence. A Note on Methodological Aspects
3 references·14 citing·44 second hop
Characterization of Proteins in Paint Media by Immunofluorescence. A Note on Methodological Aspects (2001)Characterization of Proteins in Paint Med…Reliable identification of human albumin in ancient bone using ELISA and monoclonal antibodies (1992)Reliable identification of hu…Detection of Ovalbumin in Paint Media by Immunofluorescence (1989)Detection of Ovalbumin in Pai…METHODS USED FOR THE IDENTIFICATION OF BINDING MEDIA IN ITALIAN PAINTINGS OF THE FIFTEENTH AND SIXTEENTH CENTURIES (1971)METHODS USED FOR THE IDENTIFI…Sidestepping the challenge of casein quantification in ancient paintings by dot-blot immunoassay (2017)Sidestepping the challenge of…Immunochemical Micro Imaging Analyses for the Detection of Proteins in Artworks (2016)Immunochemical Micro Imaging …Immunochemical Methods Applied to Art-Historical Materials: Identification and Localization of Proteins by ELISA and IFM (2016)Immunochemical Methods Applie…Influence of pigments and protein aging on protein identification in historically representative casein-based paints using 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chromatography–diode array detector analysis of their tryptic digests (2009)Identification of protein bin…Comparison between traditional strategies and classification technique (SIMCA) in the identification of old proteinaceous binders (2008)Comparison between traditiona…Collagen models as a probe in the decay of works of art: synthesis, conformation and immunological studies (2006)Collagen models as a probe in…Old master paintings – A fruitful field of activity for analysts: Targets, methods, outlook (2003)Old master paintings – A frui…Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Painting Materials: A Short Encyclopedia (2011)In Situ Hydrogel Extraction with Dual-Enzyme Digestion of Proteinaceous Binders: the Key for Reliable Mass Spectrometry Investigations of Artworks (2020)A comparative study on the extraction effects of common agents on collagen-based binders in mural paintings (2021)The Study of Pigments in Cultural Heritage: A Review Using Machine Learning (2024)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Development of an enzyme-linked-immunosorbent-assay technique for accurate identification of poorly preserved silks unearthed in ancient tombs (2015)Comparison of analytical tools appropriate for identification of proteinaceous additives in historical mortars (2017)Study of identification results of proteinous binding agents in Chinese painted cultural relics (2020)SOME IMPROVEMENTS IN TECHNIQUES OF ANALYSIS OF PAINT MEDIA (1977)An evaluation of GC‐MS and HPLC‐FD methods for analysis of protein binders in paintings (2006)Ultrasensitive chemiluminescent 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upon Deterioration/Aging of Proteinaceous Binders in Mural Paintings (2011)Mass Spectrometric Identification of Adhesive Utilized in a Tian-tsui Tiara of the mid-Qing Dynasty (1776–1839 CE) in the Collection of the Tang Clan Folk Museum (2018)Analysis of protein additives degradation in aged mortars using mass spectrometry and principal component analysis (2021)Cross-Sections and Chemical Analysis of Paint Samples (1956)Application of Science in Examination of Works of Art (1959)VERDIGRIS AND COPPER RESINATE (1970)Preparation of cross-sections from easel paintings (2003)Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review (2012)Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)GC/MS Analytical Procedure for the Characterization of Glycerolipids, Natural Waxes, Terpenoid Resins, Proteinaceous and Polysaccharide Materials in the Same Paint Microsample 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employed in “Madonna con Bambino e Angeli” by Antonello da Messina using Gas Chromatography–Mass Spectrometry (2012)A methodological approach to study the stability of selected watercolours for painting reintegration, through reflectance spectrophotometry, Fourier transform infrared spectroscopy and hyperspectral imaging (2018)Hyperspectral Imaging as Powerful Technique for Investigating the Stability of Painting Samples (2019)
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References

  • 1971METHODS USED FOR THE IDENTIFICATION OF BINDING MEDIA IN ITALIAN PAINTINGS OF THE FIFTEENTH AND SIXTEENTH CENTURIES68 cited
  • 1992Reliable identification of human albumin in ancient bone using ELISA and monoclonal antibodies55 cited
  • 1989Detection of Ovalbumin in Paint Media by Immunofluorescence48 cited

Cited by

  • 2012Single and multiplexed immunoassays for the chemiluminescent imaging detection of animal glues in historical paint cross-sections36 cited
  • 2013A simple and reliable methodology to detect egg white in art samples36 cited
  • 2015Influence of pigments and protein aging on protein identification in historically representative casein-based paints using enzyme-linked immunosorbent assay33 cited
  • 2013Peptide mass mapping as an effective tool for historical mortar analysis32 cited
  • 2012Analysis of egg-based model wall paintings by use of an innovative combined dot-ELISA and UPLC-based approach28 cited
  • 2008Comparison between traditional strategies and classification technique (SIMCA) in the identification of old proteinaceous binders28 cited
  • 2009Identification of protein binders in works of art by high-performance liquid chromatography–diode array detector analysis of their tryptic digests27 cited
  • 2003Old master paintings – A fruitful field of activity for analysts: Targets, methods, outlook25 cited
  • 2016Immunochemical Methods Applied to Art-Historical Materials: Identification and Localization of Proteins by ELISA and IFM21 cited

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  • 2014Detection of proteinaceous binders in ancient Chinese textiles by enzyme-linked immunosorbent assay16 cited
  • 2012Proteinaceous binders identification in the works of art using ion-pairing free reversed-phase liquid chromatography coupled with tandem mass spectrometry14 cited
  • 2006Collagen models as a probe in the decay of works of art: synthesis, conformation and immunological studies10 cited
  • 2017Sidestepping the challenge of casein quantification in ancient paintings by dot-blot immunoassay9 cited
  • 2016Immunochemical Micro Imaging Analyses for the Detection of Proteins in Artworks9 cited