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Text and act: essays on music and performance
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Text and act: essays on music and performance (1996)Text and act: essays on music and perform…Being True to Works of Music (2020)Being True to Works of MusicClass, Control, and Classical Music (2019)Class, Control, and Classical…Creative Processes in the Shaping of a Musical Interpretation: A Study of Nine Professional Musicians (2018)Creative Processes in the Sha…Music and Knowledge: A Performer's Perspective (2017)Music and Knowledge: A Perfor…Performing Civility (2015)Performing CivilityGunther Schuller and the Challenge of Sonny Rollins: (2014)Gunther Schuller and the Chal…The Oxford Handbook of The American Musical (2011)The Oxford Handbook of The Am…Reviving the Golden Age Again:“Classicization,” Hindustani Music, and the Mughals (2010)Reviving the Golden Age Again…The Schenker Project (2007)The Schenker ProjectCreativity in performance (2005)Creativity in performance“To Play as if from the Soul of the Composer”: The Idea of the Performer in Early Romantic Aesthetics (2005)“To Play as if from the Soul …Democracy and Music Education: Liberalism, Ethics, and the Politics of Practice (2004)Democracy and Music Education…Toward an Ethnomusicology of the Early Music Movement: Thoughts on Bridging Disciplines and Musical Worlds (2001)Toward an Ethnomusicology of …Outside Ravel's Tomb (1999)Outside Ravel's TombThe Adjudication of Six Performances of a Chopin Etude: A Study of Expert Knowledge (1998)The Adjudication of Six Perfo…Tempo, duration, and flexibility: Techniques in the analysis of performance (1996)Tempo, duration, and flexibil…Against Interpretation and Other Essays (1966)Metahistory: The Historical Imagination in Nineteenth-Century Europe (1974)The Act of Reading: A Theory of Aesthetic Response (1979)The Cambridge Companion to Film Music (2016)Rethinking the Diegetic/Nondiegetic Distinction in the Film Musical (2017)Feeling Yellow: Responding to Contemporary Yellowface in Musical Performance (2018)Soundings : music in the twentieth century (1988)Action, Criticism and Theory for Music Education (2004)Garage band or GarageBand®? 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  • 2019Class, Control, and Classical Music248 cited
  • 2005“To Play as if from the Soul of the Composer”: The Idea of the Performer in Early Romantic Aesthetics220 cited
  • 2007The Schenker Project152 cited
  • 2011The Oxford Handbook of The American Musical139 cited
  • 2004Democracy and Music Education: Liberalism, Ethics, and the Politics of Practice132 cited
  • 2005Creativity in performance84 cited
  • 1996Tempo, duration, and flexibility: Techniques in the analysis of performance68 cited
  • 2001Toward an Ethnomusicology of the Early Music Movement: Thoughts on Bridging Disciplines and Musical Worlds68 cited
  • 2010Reviving the Golden Age Again:“Classicization,” Hindustani Music, and the Mughals63 cited
  • 2015Performing Civility60 cited
  • 1999Outside Ravel's Tomb54 cited
  • 2018Creative Processes in the Shaping of a Musical Interpretation: A Study of Nine Professional Musicians46 cited
  • 2020Being True to Works of Music43 cited
  • 2017Music and Knowledge: A Performer's Perspective42 cited
  • 1998The Adjudication of Six Performances of a Chopin Etude: A Study of Expert Knowledge

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42 cited
  • 2014Gunther Schuller and the Challenge of Sonny Rollins:41 cited