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Is ‘distinction’ really outdated? Questioning the meaning of the omnivorization of musical taste in contemporary France
16 references·10 citing·25 second hop
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References

  • 1977Outline of a Theory of Practice27,539 cited
  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1990The consequences of modernity19,342 cited
  • 1990The Logic of Practice17,255 cited
  • 1980Outline of a Theory of Practice.14,545 cited
  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 1994Risk Society, Towards a New Modernity12,551 cited
  • 1993Risk Society: Towards a New Modernity9,217 cited
  • 2001The Authoritarian Personality6,457 cited
  • 2007Outline of a Theory of Practice5,527 cited
  • 1996Changing Highbrow Taste: From Snob to Omnivore2,443 cited
  • 1950The Authoritarian Personality2,343 cited
  • 1993Consumer Culture and Postmodernism2,244 cited
  • 1960Political Man. The Social Bases of Politics2,165 cited
  • 2002Les techniques du corps1,289 cited
  • 1987Classification in Art1,214 cited

Cited by

  • 2020From Aristocratic to Ordinary: Shifting Modes of Elite Distinction

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179 cited
  • 2012Gender and highbrow cultural participation in the United States170 cited
  • 2015Cultural sociology and new forms of distinction153 cited
  • 2012Own Culture First? Nationalism and the Preference for National Cultural Goods21 cited
  • 2011Comparing cultural classification17 cited
  • 2021“One for the money”? The impact of the “disk crisis” on “ordinary musicians” income: The case of French speaking Switzerland14 cited
  • 2009The Classification and Consecration of Popular Music: Critical Discourse and Cultural Hierarchies6 cited
  • 2020Społeczne zróżnicowanie gustu muzycznego4 cited
  • 2011Jazz Consumption Among African Americans from 1982 to 20083 cited
  • 2026Beyond Labels: Generation Z as a Socio-Technical and Cultural Construct0 cited