SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Ninth-Century Polychrome Decoration at St Mary's Church, Deerhurst
16 references·4 citing·30 second hop
The Ninth-Century Polychrome Decoration at St Mary's Church, Deerhurst (2008)The Ninth-Century Polychrome Decoration a…Pigments of English medieval wall painting (2007)Pigments of English medieval …Pigments of English Medieval Wall Painting (2005)Pigments of English Medieval …The Use of Egyptian Blue and Lapis Lazuli in the Middle Ages - The Wall Paintings of the San Saba Church in Rome (2004)The Use of Egyptian Blue and …Icon and word : the power of images in Byzantium : studies presented to Robin Cormack (2003)Icon and word : the power of …Mother of God : representations of the Virgin in Byzantine art (2000)Mother of God : representatio…Arte d'occidente : temi e metodi : studi in onore di Angiola Maria Romanini (1999)Arte d'occidente : temi e met…The Making of England: Anglo-Saxon Art and Culture Ad 600-900 (1992)The Making of England: Anglo-…The cult of the Virgin Mary in Anglo-Saxon England (1990)The cult of the Virgin Mary i…Aldhelm : the poetic works (1985)Aldhelm : the poetic worksInsular manuscripts, 6th to the 9th century (1978)Insular manuscripts, 6th to t…The Book of Kells (1974)The Book of KellsThe Art of the Byzantine Empire 312-1453: Sources and Documents (1972)The Art of the Byzantine Empi…Anglo-Saxon architecture (1965)Anglo-Saxon architectureDie byzantinische Reliefikone (1964)Die byzantinische ReliefikoneCross-Sections and Chemical Analysis of Paint Samples (1956)Cross-Sections and Chemical A…English Art 871-1100 (1952)English Art 871-1100The Veronica, theVultus Christiand the veneration oficons in medieval Rome (2013)The Veronica, theVultus Chris…Style: Influences, Chronology, and Meaning (2012)Style: Influences, Chronology…Raw Materials: Sources and Demand (2012)Raw Materials: Sources and De…The Lichfield Angel: A Spectacular Anglo-Saxon Painted Sculpture (2008)The Lichfield Angel: A Specta…2. Ultramarine Blue, Natural and Artificial (1966)Materials Issues in Art and Archaeology III (1994)Anglo-Saxon Manuscript Pigments (2004)From lapis lazuli to ultramarine blue: investigating Cennino Cennini’s recipe using sulfur K-edge XANES (2017)Rome in the Eighth Century (2020)The New Constantine and the New Constantinople – 1261? (1980)The building of the church of St Sophia in Kiev (1981)The New Cambridge History of the Bible (2012)VERMILION AND CINNABAR (1972)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)English Square minuscule script: the background and earliest phases (1987)The Galba Psalter: pictures, texts and context in an early medieval prayerbook (1997)Reading Aldred's Colophon for the Lindisfarne Gospels (2003)English Manuscript Art in the Mid-Eleventh Century: The Decorative Tradition (1991)Latin and Greek Christians (2008)The problems of property (2008)The decoration of the Tanner Bede (1992)The Junius Psalter gloss: its historical and cultural context (2000)Churches in Worcester Before and After the Conversion of the Anglo-Saxons (1989)Merovingian Gaul and the Frankish conquests (2005)The Mediterranean economy (2005)The supernatural protector of Constantinople: the Virgin and her icons in the tradition of the Avar siege (2002)The Cambridge History of Christianity (2006)The rise of hesychasm (2006)In situ investigations of vault paintings in the Antwerp cathedral (2009)Manuscripts of theAnglo-Saxon Chronicle (2011)Pigments—the palette of organic colourants in wall paintings (2021)Paris, Bibliothèque Nationale, lat. 10861 and the scriptorium of Christ Church, Canterbury (1986)Historic Landscape Characterisation: A landscape archaeology for research, management and planning (2006)
this work references cited by second hop

References

  • 1972The Art of the Byzantine Empire 312-1453: Sources and Documents289 cited
  • 2000Mother of God : representations of the Virgin in Byzantine art195 cited
  • 1956Cross-Sections and Chemical Analysis of Paint Samples180 cited
  • 1965Anglo-Saxon architecture161 cited
  • 1978Insular manuscripts, 6th to the 9th century147 cited
  • 1990The cult of the Virgin Mary in Anglo-Saxon England127 cited
  • 1992The Making of England: Anglo-Saxon Art and Culture Ad 600-900114 cited
  • 1985Aldhelm : the poetic works73 cited
  • 2004The Use of Egyptian Blue and Lapis Lazuli in the Middle Ages - The Wall Paintings of the San Saba Church in Rome72 cited
  • 2007Pigments of English medieval wall painting67 cited
  • 1974The Book of Kells57 cited
  • 2003Icon and word : the power of images in Byzantium : studies presented to Robin Cormack49 cited
  • 2005Pigments of English Medieval Wall Painting39 cited
  • 1999Arte d'occidente : temi e metodi : studi in onore di Angiola Maria Romanini20 cited
  • 1964Die byzantinische Reliefikone18 cited
  • 1952English Art 871-1100

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

16 cited

Cited by

  • 2013The Veronica, theVultus Christiand the veneration oficons in medieval Rome28 cited
  • 2008The Lichfield Angel: A Spectacular Anglo-Saxon Painted Sculpture19 cited
  • 2012Raw Materials: Sources and Demand19 cited
  • 2012Style: Influences, Chronology, and Meaning5 cited