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Contrasting discourses of emancipation and empowerment in selected albums by Hosiah Chipanga and Fungisai Zvakavapano
4 references·2 citing·24 second hop
Contrasting discourses of emancipation and empowerment in selected albums by Hosiah Chipanga and Fungisai Zvakavapano (2008)Contrasting discourses of emancipation an…Worlds of Music: An Introduction to the Music of the World’s Peoples (2002)Worlds of Music: An Introduct…Singing culture : a study of gospel music in Zimbabwe (2002)Singing culture : a study of …Politics and Performance: Theatre, Poetry, and Song in Southern Africa (1997)Politics and Performance: The…Worlds of Music: An Introduction to the Music of the World's Peoples (1994)Worlds of Music: An Introduct…Popular Music and the Concept of the Dissident in Post-Independence Zimbabwe (2022)Popular Music and the Concept…Risky dialogues: the performative state and the nature of power in a postcolony (2015)Risky dialogues: the performa…In Township Tonight! South Africa's Black City Music and Theatre (1987)'Delivered From the Spirit of Poverty?': Pentecostalism, Prosperity and Modernity in Zimbabwe1 (1998)Christianity in Africa: The Renewal of a Non-Western Religion (1999)Ghana -- long term growth, atrophy and stunted recovery (2003)African Families in a Global Context (2005)Mediating the Gospel: Pentecostal Christianity and Media Technology in Botswana and Zimbabwe (2012)The Presentation of Self in Everyday Life. (1956)A Social Psychologist Discovers Chicago Sociology (1989)Excitable Speech: A Politics of the Performative (1997)“Mweya weToyitoyi– the spirit of protest”: re-inventing toyi-toyi in Zimbabwean hip hop (2017)Oliver Mtukudzi: Singing for Harmony to Reconstruct and Heal Our Land (2022)Singing truth to power: youth existential struggles and popular music in Zimbabwe (2025)Popular Arts in Africa (1987)The Banality of Power and the Aesthetics of Vulgarity in the Postcolony (1992)The qualitative content analysis process (2008)The biology and evolution of music: A comparative perspective (2006)Music as a communicative medium (2009)Connecting Indigenous Song Archives to Kin, Country and Language (2019)“Praise the Lord”: Popular cinema and pentecostalite style in Ghana's new public sphere (2004)Shoot the sergeant, shatter the mountain: The production of masculinity in zulu ngoma song and dance in post-apartheid South Africa (2004)Acts of activism: human rights as radical performance (2011)Flexing the Frame in Javanese Gamelan Music (2006)Gamelan Encounters with Western Music in Indonesia: Hybridity/Hybridism (2010)How the Grateful Dead Learned to Jam (2023)
this work references cited by second hop

References

  • 1997Politics and Performance: Theatre, Poetry, and Song in Southern Africa199 cited
  • 1994Worlds of Music: An Introduction to the Music of the World's Peoples99 cited
  • 2002Singing culture : a study of gospel music in Zimbabwe58 cited
  • 2002Worlds of Music: An Introduction to the Music of the World’s Peoples53 cited

Cited by

  • 2015Risky dialogues: the performative state and the nature of power in a postcolony16 cited
  • 2022Popular Music and the Concept of the Dissident in Post-Independence Zimbabwe6 cited

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