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When alternative ends up as mainstream: Slovene popular music as cultural heritage
12 references·2 citing·34 second hop
When alternative ends up as mainstream: Slovene popular music as cultural heritage (2013)When alternative ends up as mainstream: S…Understanding Popular Music (2013)Understanding Popular MusicThe Ashgate research companion to heritage and identity (2009)The Ashgate research companio…The Ashgate research companion to heritage and identity (2008)The Ashgate research companio…Uses of Heritage (2006)Uses of HeritageNevermind The Beatles, here's Exile 61 and Nico: ‘The top 100 records of all time’ – a canon of pop and rock albums from a sociological and an aesthetic perspective (2006)Nevermind The Beatles, here's…A prescribed alternative mainstream: popular music and canon formation (2006)A prescribed alternative main…‘Loaded’: indie guitar rock, canonism, white masculinities (2006)‘Loaded’: indie guitar rock, …Understanding Popular Music (2003)Understanding Popular Music'BLAME IT ON MAUREEN O'HARA': IRELAND AND THE TROPE OF AUTHENTICITY (2001)'BLAME IT ON MAUREEN O'HARA':…The Heritage Crusade and the Spoils of History (1998)The Heritage Crusade and the …Studying Popular Music (1992)Studying Popular MusicStudying Popular Music (1990)Studying Popular MusicObčinstva sodobne slovenske narodnozabavne glasbe v kulturološki perspektivi (2022)Občinstva sodobne slovenske n…The Aesthetics of Slovene Popular Music for Different Generations of Slovene Listeners: The Contribution of Audience Research (2015)The Aesthetics of Slovene Pop…Mass Culture as Woman: Modernism’s Other (1986)Music for pleasure: essays in the sociology of pop (1989)Making Popular Music: Musicians, Creativity and Institutions (2000)Indie Culture: In Pursuit of the Authentic Autonomous Alternative (2009)Multi-Tasking and Making a Living from Music: Investigating Music Careers in the Independent Music Scene of Milan (2017)DIY Music and the Politics of Social Media (2020)Popular Music in Theory (1996)Mainstreaming: from hegemonic centre to global networks (2002)Popular music analysis: ten apothegms and four instances (2003)History without royalty? Queen and the strata of the popular music canon (2013)Still Like That Old Time Rock and Roll: Tribute Bands and Historical Consciousness in Popular Music (2015)Analog Hallyu: Historicizing K-pop formations in China (2019)The Cluster as Market Organisation (2004)Creativity and Cultural Production: A Study of Contemporary Western Popular Music Songwriting (2008)“Heritage rock”: Rock music, representation and heritage discourse (2009)Ethno-National Pop-Rock Music (2007)Grunge, Riot Grrrl and the Forgetting of Women in Popular Culture (2011)Flow (2019)Club cultures: music, media and subcultural capital (1996)Music in Everyday Life (2000)The Mediatization of Society (2008)The Cultural Construction of Organizational Life: Introduction to the Special Issue (2011)Cultural diversity, cultural heritage and human rights: towards heritage management as human rights-based cultural practice (2012)BEING THERE TOGETHER: DARK FAMILY TOURISM AND THE EMOTIVE EXPERIENCE OF CO-PRESENCE IN THE HOLOCAUST PAST (2013)The management of projects and product experimentation: examples from the music industry (2005)Musical exploration via streaming services: The Norwegian experience (2016)The Cambridge History of Music Criticism (2019)Negotiating Authentic Objects and Authentic Selves (2010)The recognition and misrecognition of community heritage (2010)Clarifying the critical in critical heritage studies (2012)The Modalities of Nostalgia (2006)Corporate brands with a heritage (2007)Handbook of Research on Learning and Instruction (2011)Street naming and the politics of belonging: spatial injustices in the toponymic commemoration of Martin Luther King Jr (2013)
this work references cited by second hop

References

  • 2006Uses of Heritage4,077 cited
  • 1998The Heritage Crusade and the Spoils of History1,906 cited
  • 1990Studying Popular Music606 cited
  • 2009The Ashgate research companion to heritage and identity469 cited
  • 2003Understanding Popular Music309 cited
  • 2008The Ashgate research companion to heritage and identity177 cited
  • 2013Understanding Popular Music163 cited
  • 2006‘Loaded’: indie guitar rock, canonism, white masculinities106 cited
  • 2006Nevermind The Beatles, here's Exile 61 and Nico: ‘The top 100 records of all time’ – a canon of pop and rock albums from a sociological and an aesthetic perspective83 cited
  • 2006A prescribed alternative mainstream: popular music and canon formation43 cited
  • 2001'BLAME IT ON MAUREEN O'HARA': IRELAND AND THE TROPE OF AUTHENTICITY42 cited
  • 1992Studying Popular Music14 cited

Cited by

  • 2015The Aesthetics of Slovene Popular Music for Different Generations of Slovene Listeners: The Contribution of Audience Research6 cited
  • 2022Občinstva sodobne slovenske narodnozabavne glasbe v kulturološki perspektivi4 cited

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