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Viewpoints, creativity and embodied learning: developing perceptual and kinaesthetic skills in non-dancers studying undergraduate university drama
10 references·0 citing·28 second hop
Viewpoints, creativity and embodied learning: developing perceptual and kinaesthetic skills in non-dancers studying undergraduate university drama (2013)Viewpoints, creativity and embodied learn…Geographies of Requiredness: Notes on the Dramaturg in Collaborative Devising∗ (2010)Geographies of Requiredness: …The Actor, Image, and Action (2007)The Actor, Image, and ActionThe Paper Canoe (2003)The Paper CanoeThe moving body : teaching creative theatre (2002)The moving body : teaching cr…Through the Body: A Practical Guide to Physical Theatre (2001)Through the Body: A Practical…The origins of creativity (2001)The origins of creativityPromoting deep learning through teaching and assessment: conceptual frameworks and educational contexts. (2000)Promoting deep learning throu…Directing with the Viewpoints (2000)Directing with the ViewpointsCreators on Creating: Awakening and Cultivating the Imaginative Mind (1997)Creators on Creating: Awakeni…The paper canoe: a guide to theatre anthropology (1996)The paper canoe: a guide to t…Forms of Intellectual and Ethical Development in the College Years; A Scheme (1970)ON QUALITATIVE DIFFERENCES IN LEARNING: I—OUTCOME AND PROCESS* (1976)Teaching For Quality Learning At University (1999)Critical thinking in E-learning environments (2012)The evolution of a flipped classroom: Evidence-based recommendations (2015)Flipped classrooms and student learning: not just surface gains (2016)Les Deux Cent Mille Situations Dramatiques (1951)Theories of the Theatre: A Historical and Critical Survey, from the Greeks to the Present (1987)Physical Images in the South African Theatre (1997)The 'Past' as Transcultural Space: Using Ethnographic Installation in the Study of Archaeology (2009)Marginalidad y vanguardia en la posguerra: los inicios del teatro crítico en Chile (1883-1913) (2017)The stagecraft and performance of Roman comedy (2007)Performing Greek Comedy (2011)Performing care (2020)Dramaturging Non-Realism: Creating a New Vocabulary (2003)Movement training for the modern actor (2009)Movement Training for the Modern Actor (2009)The Routledge Companion to Theatre, Performance, and Cognitive Science (2018)Re-Affecting the Stage: Affective Resonance as the Function of the Audience (2016)Embodied Cognition in Performance: The Impact of Michael Chekhov’s Acting Exercises on Affect and Height Perception (2019)Collecting Data Through Performative Inquiry: A Tug on the Sleeve (2012)Defining Pantomime for Language Evolution Research (2016)The Performative Power of Vocality (2019)Process drama and creative problem solving: An integrated approach (2003)It's Not a Wedding, It's a Gayla: Queer Resistance and Normative Recuperation (2010)Culture and Facets of Creativity (2006)Analysis and simulation of creativity learning by means of artificial neural networks (2008)Hemispheric connectivity and the visual–spatial divergent-thinking component of creativity (2009)
this work references cited by second hop

References

  • 2000Promoting deep learning through teaching and assessment: conceptual frameworks and educational contexts.337 cited
  • 1996The paper canoe: a guide to theatre anthropology156 cited
  • 2002The moving body : teaching creative theatre132 cited
  • 2001The origins of creativity72 cited
  • 2001Through the Body: A Practical Guide to Physical Theatre66 cited
  • 1997Creators on Creating: Awakening and Cultivating the Imaginative Mind53 cited
  • 2003The Paper Canoe46 cited
  • 2010Geographies of Requiredness: Notes on the Dramaturg in Collaborative Devising∗18 cited
  • 2007The Actor, Image, and Action18 cited
  • 2000Directing with the Viewpoints11 cited

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