Bourdieu and the Art Historians

Abstract

A polemical and critical reading of Pierre Bourdieu's account of art historical methodology, in particular his uses of Erwin Panofsky's iconology as an exemplar of the discipline's practices and values. Jointly authored with Dr Richard Hooker and Dr Paul Stirton

Cite this work

No public copy is stored for this record, so only the metadata is cited.

Stored only when both papers are in the corpus — 6 citations exist upstream.

Papers that cite the same references — the relational fallback while embeddings are still backfilling.