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Bourdieu and the Art Historians
8 references·0 citing·23 second hop
Bourdieu and the Art Historians (2001)Bourdieu and the Art HistoriansPerspective as Symbolic Form (2020)Perspective as Symbolic FormThe Rules of Art (1996)The Rules of ArtModern art in the common culture (1996)Modern art in the common cult…Panofsky and the Foundations of Art History (1986)Panofsky and the Foundations …Distinction: A Social Critique of the Judgement of Taste. (1985)Distinction: A Social Critiqu…The Critical Historians of Art (1983)The Critical Historians of ArtThe Four Fundamental Concepts of Psycho-Analysis (1979)The Four Fundamental Concepts…Gothic Architecture and Scholasticism (1952)Gothic Architecture and Schol…Bourdieu and phenomenology (2002)Perspective in the Visual Culture of Classical Antiquity (2012)Securitizing images: The female body and the war in Afghanistan (2012)Discourse Analysis Organizational Analysis (2000)In the mirror of the market: The disciplinary effects of company/fund manager meetings (2005)No one is perfect: The limits of transparency and an ethic for ‘intelligent’ accountability (2009)Byzantine art in the ninth century: theory, practice, and culture (1989)Beazley as theorist (1997)The pulse of modernism: experimental physiology and aesthetic avant-gardes circa 1900 (2008)Humanist Interpretation Versus Coding Text Samples (2014)The Materiality of Absence: Organizing and the case of the incomplete cathedral (2017)‘It's all becoming a habitus’: beyond the habitual use of habitus in educational research (2004)Bourdieu, the media and cultural production (2006)Ways of constructing research questions: gap-spotting or problematization? (2010)Entering a Risky Territory: Space in the Age of Digital Navigation (2010)The primacy of social over visual perspective-taking (2013)Plessner's Philosophical Anthropology (2014)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)Consumption and Theories of Practice (2005)Income inequality and population health: A review and explanation of the evidence (2005)Crash (Speed as Engine of Individuation) (1999)The Cambridge History of Twentieth-Century English Literature (2005)Art and gentrification: pursuing the urban pastoral in Hoxton, London (2011)
this work references cited by second hop

References

  • 1985Distinction: A Social Critique of the Judgement of Taste.14,091 cited
  • 1996The Rules of Art2,397 cited
  • 1979The Four Fundamental Concepts of Psycho-Analysis853 cited
  • 1996Modern art in the common culture237 cited
  • 2020Perspective as Symbolic Form202 cited
  • 1986Panofsky and the Foundations of Art History121 cited
  • 1952Gothic Architecture and Scholasticism112 cited
  • 1983The Critical Historians of Art79 cited

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