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Questions of style: notes on Italian hip hop
5 references·2 citing·28 second hop
Questions of style: notes on Italian hip hop (1995)Questions of style: notes on Italian hip …Rock and Popular Music (2005)Rock and Popular MusicRock and Popular Music: Politics, Policies, Institutions (1995)Rock and Popular Music: Polit…World Music, Politics and Social Change. (1990)World Music, Politics and Soc…Rock music and politics in Italy (1984)Rock music and politics in It…What kind of music? (1982)What kind of music?Processes of institutionalisation and ‘symbolic struggles’ in the ‘independent music’ field in Italy (2009)Processes of institutionalisa…Tracking the narrative : the poetics of identity in rap music and hip- hop culture in Cape Town. (2000)Tracking the narrative : the …Whose Music? A Sociology of Musical Languages (1978)The Sociology of Rock (1979)‘The magic that can set you free’: the ideology of folk and the myth of the rock community (1981)Adriano Celentano and the origins of rock and roll in Italy (2006)Authors and Rappers: Italian Hip Hop and the Shifting Boundaries of Canzone d’Autore (2007)Listening in the Wilderness: The Audience Reception of Oliver Mtukudzi’s Music in the Zimbabwean Diaspora (2013)Trattato di semiotica generale (1976)"Authority" Revisited: The "Other" in Anthropology and Popular Music Studies (1990)Nation, authenticity and social difference in Australian popular music: Folk, country, multicultural (1998)Categorically Speaking: Towards a Theory of (Musical) Genre in Cape Breton Gaelic Culture (2008)The Field of Cultural Production: Essays on Art and Literature (1996)Reassembling the Social (2005)Reassembling the social: An introduction to actor‐network‐theory (2008)Factors identifying musician entrepreneurship in a less-developed country: a case of Indonesia's independent musician (2021)How gatekeeping became digital: infrastructural barriers to participation in conventional and platformized cultural production (2022)The Production of Space (1992)Representation: Cultural representations and signifying practices. (1997)The Location of Culture (2012)Multilingualism Remixed: Sampling, Braggadocio and the Stylisation of Local Voice (2014)And the hits just keep on coming: Music programming standardization in commercial radio (2000)When politics goes pop: on the intersections of popular and political culture and the case of Serbian student protests (2004)The Managers, the Managed, and the Unmanageable: Negotiating Values at the Buenos Aires International Music Fair (2010)Israeli rock, or a study in the politics of ‘local authenticity’ (1992)Popular Music in Singapore: Exploring Local Cultures, Global Resources, and Regional Identities (1996)The Birth of “Rok”: Cultural Imperialism, Nationalism, and the Glocalization of Rock Music in South Korea, 1964–1975 (2010)Flexibility, post-Fordism and the music industries (1996)The Cambridge History of American Music (1998)Cultural industries and cultural policy (2005)
this work references cited by second hop

References

  • 1995Rock and Popular Music: Politics, Policies, Institutions155 cited
  • 1990World Music, Politics and Social Change.76 cited
  • 2005Rock and Popular Music59 cited
  • 1982What kind of music?35 cited
  • 1984Rock music and politics in Italy23 cited

Cited by

  • 2009Processes of institutionalisation and ‘symbolic struggles’ in the ‘independent music’ field in Italy10 cited
  • 2000Tracking the narrative : the poetics of identity in rap music and hip- hop culture in Cape Town.5 cited

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