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Exhibiting Voice/Narrating Migration: Performance-based Curatorial Practice in¡Azúcar!The Life and Music of Celia Cruz
16 references·1 citing·31 second hop
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References

  • 1998Routes: Travel and Translation in the Late Twentieth Century.3,457 cited
  • 1998Routes: Travel and Translation In the Late Twentieth Century2,322 cited
  • 1992Foundational Fictions: The National Romances of Latin America1,185 cited
  • 1991Foundational Fictions1,124 cited
  • 1999Destination culture: tourism, museums, and heritage1,056 cited
  • 1999Destination Culture: Tourism, Museums, and Heritage692 cited
  • 2005Utopia in Performance689 cited
  • 2000Feeling Brown: Ethnicity and Affect in Ricardo Bracho's The Sweetest Hangover (and Other STDs)430 cited
  • 2008Keywords for American cultural studies264 cited
  • 2006Audiotopia: Music, Race, and America258 cited
  • 2006Audiotopia: music, race, and America145 cited
  • 2005Hemispheric Imaginings137 cited
  • 2003Jennifer as Selena: Rethinking Latinidad in Media and Popular Culture111 cited
  • 1999Latina Performance106 cited
  • 2004Choreographies of Resistance: Latinalo Queer Dance and the Utopian Performative76 cited
  • 2007Latina/o Communication Studies: Theorizing Performance

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  • 2017Sonic cultural citizenship through performance: CASA 0101’s production of Josefina López’sDetained in the Desert7 cited