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Analyzing Form and Measuring Perceptual Content in Mozart's Sonata K. 282: A New Theory of Parametric Analogues
5 references·5 citing·33 second hop
Analyzing Form and Measuring Perceptual Content in Mozart's Sonata K. 282: A New Theory of Parametric Analogues (1996)Analyzing Form and Measuring Perceptual C…The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model (1993)The Analysis and Cognition of…Beyond Schenkerism: The Need for Alternatives in Music Analysis (1979)Beyond Schenkerism: The Need …Francesco Galeazzi's Description (1796) of Sonata Form (1968)Francesco Galeazzi's Descript…'The Sonata in the Classic Era' (1964)'The Sonata in the Classic Er…The Rhythmic Structure of Music (1962)The Rhythmic Structure of Mus…What Is a Cadence?: Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire (2015)What Is a Cadence?: Theoretic…Toward a Unified Theory of the I-R Model (Part 1) (2015)Toward a Unified Theory of th…Our Varying Histories and Future Potential: Models and Maps in Science, the Humanities, and in Music Theory (2011)Our Varying Histories and Fut…Of Serpentina and Stenography: Shapes of Handwriting in Romantic Melody (2006)Of Serpentina and Stenography…The Macroform in Post-Tonalmusic. Listening and Analysis (2003)The Macroform in Post-Tonalmu…Phantasmagoria: Spectral Technology and the Metaphorics of Modern Reverie (1988)Hearing Is Seeing: Thoughts on the History of Music and the Imagination (1995)Emotion and Meaning in Music (1961)The Structure of Scientific Revolutions (1963)Science without laws (1999)Getting Scientists and Ethnomusicologists to Work Together: Some Thoughts and Recommendations (2012)Music, mind and mathematics: theory, reality and formality (2012)Cours de composition musicale (1909)The String Quartets of Joseph Haydn (2006)Some Eighteenth-Century Ritornello Scripts and Their Nineteenth-Century Revivals (2008)Instrumental Music in an Age of Sociability: Haydn, Mozart and Friends (2019)Emotion and Meaning in Music (1957)Explaining Music (1973)Music Analysis and Music Perception (1998)The Senses Considered as Perceptual Systems (1969)Women, Fire, and Dangerous Things (1987)The Faculty of Language: What Is It, Who Has It, and How Did It Evolve? (2002)Play with Closing Markers: Cadential Multivalence in 1960s Prechoruses and Related Schemas (2019)Gestalt Psychology: An Introduction to New Concepts in Modern Psychology (1970)Principles Of Gestalt Psychology (2013)Translating the Lampung Oral Literature into Music for Educational Purpose: A Case Study of Pisaan on the Indonesian Island of Sumatra (2023)The Concept of Musical Grammar (1983)Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg (2011)Statistical characteristics of tonal harmony: A corpus study of Beethoven’s string quartets (2019)Anatomy of a Performance: Sources of Musical Expression (1996)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)Universals in the world’s musics (2011)Style Change in the Mid-18th-Century Keyboard Sonata (1966)Theme, Harmony, and Texture in Classic-Romantic Descriptions of Concerto First-Movement Form (1974)Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music (2018)Art As Collective Action (1974)Music and Language (1994)Correlates of linguistic rhythm in the speech signal (1999)
this work references cited by second hop

References

  • 1962The Rhythmic Structure of Music521 cited
  • 1993The Analysis and Cognition of Basic Melodic Structures: The Implication-Realization Model491 cited
  • 1979Beyond Schenkerism: The Need for Alternatives in Music Analysis85 cited
  • 1968Francesco Galeazzi's Description (1796) of Sonata Form75 cited
  • 1964'The Sonata in the Classic Era'56 cited

Cited by

  • 2015What Is a Cadence?: Theoretical and Analytical Perspectives on Cadences in the Classical Repertoire22 cited
  • 2011Our Varying Histories and Future Potential: Models and Maps in Science, the Humanities, and in Music Theory16 cited
  • 2003The Macroform in Post-Tonalmusic. Listening and Analysis6 cited
  • 2015Toward a Unified Theory of the I-R Model (Part 1)6 cited
  • 2006Of Serpentina and Stenography: Shapes of Handwriting in Romantic Melody4 cited

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