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Loie Fuller: Goddess of Light, by Richard Nelson Current and Marcia Ewing Current. Boston: Northeastern University Press, 1997. xx + 400 pp., photographs, appendix, notes, bibliography, index. $29.95 clothbound.
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Loie Fuller: Goddess of Light, by Richard Nelson Current and Marcia Ewing Current. Boston: Northeastern University Press, 1997. xx + 400 pp., photographs, appendix, notes, bibliography, index. $29.95 clothbound. (1998)Loie Fuller: Goddess of Light, by Richard…Synthesising circus aesthetics and science: Australian circus and variety theatre at the turn of the twentieth century (2018)Synthesising circus aesthetic…Painting Dose: The ART of Radiation (2016)Painting Dose: The ART of Rad…Electricity and Imagination: Post-romantic Electrified Experience and the Gendered Body. An Introduction (2015)Electricity and Imagination: …Dance and American art: a long embrace (2012)Dance and American art: a lon…White Womanhood, Property Rights, and the Campaign for Choreographic Copyright: Loïe Fuller's Serpentine Dance (2011)White Womanhood, Property Rig…Constructing and Contesting the Natural in British Theatre Dance (2011)Constructing and Contesting t…"Must we dance naked?": art, beauty, and law in Munich and Paris, 1911-1913. (2011)"Must we dance naked?": art, …‘Harmonious sensations of sound by means of colors’: vernacular colour abstractions in silent cinema (2009)‘Harmonious sensations of sou…Colonialism and Culture (1992)Gendering Orientalism: race, femininity and representation (1996)Orientalism: history, theory and the arts (1996)Textiles in Motion (2024)THEORY OF FILM: The Redemption of Physical Reality (1965)The Theory of the Photographic Process (1966)Techniques of the observer: on vision and modernity in the nineteenth century (1991)On the education of the senses: synaesthetic perception from the ‘democratic art’ of chromolithography to modernism (2009)The temporalities of intermediality: Colour in cinema and the arts of the 1920s (2013)The Traffic in Women: Notes on the "Political Economy" of Sex (1975)Whiteness as Property (1993)Black Reconstruction in America (2017)Electrifying America: social meanings of a new technology, 1880-1940 (1991)Toward a history of epistemic things: synthesizing proteins in the test tube (1998)The Romantic Conception of Life (2002)“Home Is The Theater Of Life”: Scenographic Poetics And American Living Room Ambience, 1900–1925 (2021)Idols of Perversity: Fantasies of Feminine Evil in Fin-de-Siecle Culture (1989)Done into dance: Isadora Duncan in America (1996)Dancing Modernism/Performing Politics by Mark Franko. Bloomington: Indiana University Press, 1995. Xvi + 192 pp., photographs, appendix, notes, bibliography, index. $29.95 clothbound; $12.95 paperbound. (1997)Re-reading Mary Wigman’s Hexentanz II (1926): the influence of the non-Western ‘Other’ on movement practice in early modern ‘German’ dance (2013)The Emperor of All Maladies: A Biography of Cancer (2010)The Emperor of all Maladies: A Biography of Cancer (2011)A brief history of cancer: Age‐old milestones underlying our current knowledge database (2014)The Sculpture Machine (1997)Suspensions of Perception (1999)Suspensions of perception: Attention, spectacle, and modern culture (2001)The Dance of Life: The Other Dimension of Time (1984)Terrible Honesty: Mongrel Manhattan in the 1920s (1996)Modern Dance, Negro Dance: Race In Motion (2004)Rhythmical Subjects (2023)
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  • 2009‘Harmonious sensations of sound by means of colors’: vernacular colour abstractions in silent cinema25 cited
  • 2012Dance and American art: a long embrace17 cited
  • 2011White Womanhood, Property Rights, and the Campaign for Choreographic Copyright: Loïe Fuller's Serpentine Dance15 cited
  • 2011Constructing and Contesting the Natural in British Theatre Dance11 cited
  • 2015Electricity and Imagination: Post-romantic Electrified Experience and the Gendered Body. An Introduction9 cited
  • 2011"Must we dance naked?": art, beauty, and law in Munich and Paris, 1911-1913.8 cited
  • 2016Painting Dose: The ART of Radiation7 cited
  • 2018Synthesising circus aesthetics and science: Australian circus and variety theatre at the turn of the twentieth century3 cited

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