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"Grundgestalt" as Tonal Function
3 references·16 citing·44 second hop
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this work references cited by second hop

References

  • 1968Fundamentals of Musical Composition457 cited
  • 1976Style and Idea. Selected Writings of Arnold Schoenberg170 cited
  • 1954Structural Functions of Harmony67 cited

Cited by

  • 2016Musical Forces and Melodic Patterns56 cited
  • 2014Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea35 cited
  • 2016Understanding the leitmotif: from Wagner to Hollywood film music30 cited
  • 1996What's in a Motive? Schoenberg and Schenker Reconsidered16 cited
  • 2000Dialectical Opposition in Schoenberg's Music and Thought13 cited
  • 1986A Technique for Melodic Motivic Analysis in the Music of Charles Ives11 cited
  • 2019Variation and Developing Variation under a Transformational Perspective10 cited
  • 2014Salome's Grotesque Climax and Its Implications7 cited
  • 1989Schenkerian Theory7 cited
  • 2002Schubert'sQuartettsatzand sonata form's new way16 cited
  • 2004Transformational Streams: Unraveling Melodic Processes in Twentieth-Century Motivic Music5 cited
  • 2016The Piano Music of Arnold Schoenberg4 cited
  • 1989Into the Foothills: New Directions in Nineteenth-Century Analysis

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4 cited
  • 2023Klangfarbenmelodie, Chromophony, and Timbral Function in Arnold Schoenberg’s “Farben”3 cited
  • 2022A Mathematical Model of Tonal Function (I): Voice Leadings3 cited
  • 2014Considerações sobre a análise de Grundgestalt aplicada à música popular3 cited