SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Fitting between Present and Past: Memory and Social Interaction in Cape Breton Gaelic Singing
14 references·0 citing·27 second hop
Fitting between Present and Past: Memory and Social Interaction in Cape Breton Gaelic Singing (2012)Fitting between Present and Past: Memory …Hermeneutics and the Human Sciences (2016)Hermeneutics and the Human Sc…'It wants all the creases ironing out': Percy Grainger, the Folk Song Society, and the Ideology of the Archive (2011)'It wants all the creases iro…Categorically Speaking: Towards a Theory of (Musical) Genre in Cape Breton Gaelic Culture (2008)Categorically Speaking: Towar…The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)The Archive and the Repertoir…The Archive and the Repertoire (2003)The Archive and the RepertoireShadows in the Field: New Perspectives for Fieldwork in Ethnomusicology (1998)Shadows in the Field: New Per…May It Fill Your Soul: Experiencing Bulgarian Music (1997)May It Fill Your Soul: Experi…May it fill your soul: experiencing Bulgarian music (1995)May it fill your soul: experi…By Means of Performance (1990)By Means of PerformanceThe Anthropology of Performance (1986)The Anthropology of Performan…Hermeneutics and the human sciences : essays on language, action and interpretation (1981)Hermeneutics and the human sc…The Hermeneutical Function of Distanciation (1973)The Hermeneutical Function of…Husserl: An Analysis of His Phenomenology. (1968)Husserl: An Analysis of His P…HUSSERL: AN ANALYSIS OF HIS PHENOMENOLOGY (1968)HUSSERL: AN ANALYSIS OF HIS P…Rethinking ethnography: Towards a critical cultural politics (1991)Performing Autoethnography: An Embodied Methodological Praxis (2001)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)9. The Generation Of Postmemory (2008)The Indigenous State: Race, Politics, and Performance in Plurinational Bolivia (2017)Exemplary Ethics in Ancient Rome (2018)Tourism dance performances authenticity and creativity (1996)The Sport of Kings (2002)Threshold concepts and troublesome knowledge (2): Epistemological considerations and a conceptual framework for teaching and learning (2005)The Essentials of Psychoanalysis (1993)Standing outside the interview process? The illusion of objectivity in phenomenological data generation (2001)Why is Ethics First Philosophy? Levinas in Phenomenological Context (2012)Husserl and the Promise of Time (2009)Merleau-Ponty's philosophy (2009)Exploring Ricoeur’s hermeneutic theory of interpretation as a method of analysing research texts (2000)The Contest Over Meaning: Hermeneutics as an Interpretive Methodology for Understanding Texts (2002)Intersubjectivity: Towards a Dialogical Analysis (2009)Psychology for Musicians (2007)The Art of Doing (Geographies of) Music (2007)Apprenticeship as method: embodied learning in ethnographic practice (2014)Understanding and Validity in Qualitative Research (1992)A Set of Principles for Conducting and Evaluating Interpretive Field Studies in Information Systems1 (1999)Discourse and Institutions (2004)Tweets, Tweeps, and Signifyin’ (2013)After the party: a manifesto for queer of color life (2019)Validation in Inquiry-Guided Research: The Role of Exemplars in Narrative Studies (1990)Gender, Habitus and the Field (1999)
this work references cited by second hop

References

  • 2016Hermeneutics and the Human Sciences2,653 cited
  • 1986The Anthropology of Performance2,586 cited
  • 2003The Archive and the Repertoire: Performing Cultural Memory in the Americas2,542 cited
  • 2003The Archive and the Repertoire2,114 cited
  • 1981Hermeneutics and the human sciences : essays on language, action and interpretation1,029 cited
  • 1998Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology305 cited
  • 1990By Means of Performance295 cited
  • 1973The Hermeneutical Function of Distanciation259 cited
  • 1968Husserl: An Analysis of His Phenomenology.186 cited
  • 1968HUSSERL: AN ANALYSIS OF HIS PHENOMENOLOGY172 cited
  • 1997May It Fill Your Soul: Experiencing Bulgarian Music130 cited
  • 1995May it fill your soul: experiencing Bulgarian music118 cited
  • 2008Categorically Speaking: Towards a Theory of (Musical) Genre in Cape Breton Gaelic Culture32 cited
  • 2011'It wants all the creases ironing out': Percy Grainger, the Folk Song Society, and the Ideology of the Archive24 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work