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A study on reversibility of BEVA®371 in the lining of paintings
11 references·1 citing·30 second hop
A study on reversibility of BEVA®371 in the lining of paintings (2014)A study on reversibility of BEVA®371 in t…The long-term stability of a popular heat-seal adhesive for the conservation of painted cultural objects (2014)The long-term stability of a …The evaluation of selected poly(vinyl acetate) and acrylic adhesives: A final research update (2014)The evaluation of selected po…Conservazione e restauro (2011)Conservazione e restauroAn Investigation Into the Adhesive Bond and Transfer of Tension in Lined Canvas Paintings (2002)An Investigation Into the Adh…The mechanical behaviour and environmental response of paintings to three types of lining treatment (2001)The mechanical behaviour and …Conservation of Paintings: Research and Innovations (2001)Conservation of Paintings: Re…Conservation of Paintings: Research and Innovations (2001)Conservation of Paintings: Re…Adhesive testing at the Canadian Conservation Institute-an evaluation of selected poly(vinyl acetate) and acrylic adhesives (1996)Adhesive testing at the Canad…The Quantitative Testing and Comparisons of Peel and Lap/Shear for Lascaux 360 H.V. and Beva 371 (1985)The Quantitative Testing and …Conservation and Restoration of Pictorial Art (1978)Conservation and Restoration …HEAT-SEAL LINING OF A TORN PAINTING WITH BEVA 371 (1975)HEAT-SEAL LINING OF A TORN PA…An analytical approach for the non-invasive selection of consolidants in rubber artworks (2016)An analytical approach for th…Recent Advances in Conservation (1967)FORMULATING ADHESIVES FOR THE CONSERVATION OF PAINTINGS (1972)Beva 371 and Its Use as an Adhesive for Skin and Leather Repairs: Background and a Review of Treatments (2003)Original and reformulated BEVA ® 371: Composition and assessment as a consolidant for painted surfaces (2014)Chemical Principles of Textile Conservation (2000)Chemical Principles of Textile Conservation (2012)Analysis and quantitation of volatile organic compounds emitted from plastics used in museum construction by evolved gas analysis–gas chromatography–mass spectrometry (2015)Identification of cellulose nitrate based adhesive repairs in archaeological pottery of the University of Melbourne’s Middle Eastern archaeological pottery collection using portable FTIR-ATR spectroscopy and PCA (2017)Consolidation and coating treatments for glass in the cultural heritage field: A review (2023)Accelerated Aging, Photochemical and Thermal Aspects (1996)Accelerated Aging: Photochemical and Thermal Aspects (1996)The photo-stability of acrylic tri-block copolymer blends for the consolidation of cultural heritage (2018)Photo-oxidative stability of paraloid acrylic protective polymers (2001)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Photochemical and Thermal Degradation of Films of Dammar Resin (1988)The cleaning of paintings: effects of organic solvents on oil paint films (2001)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Quantitative Study: The Effects of Sized Materials and “Drying Time” in the Use of Lascaux 360 Hv as a Lining Adhesive (1987)Aiming at reproducibility in lining canvas paintings (2019)Lascaux Adhesives in Objects Conservation: Three Practical Case Studies on Leather, Skin, and Entomological Specimens (2022)Alternative methodology for traditional interventions: A colonial painting and its lining with the nap bond method (2015)Novel nanomaterials to stabilise the canvas support of paintings assessed from a conservator’s point of view (2020)Cellulose Degradation in an Acetic Acid Environment (2000)Photochemical degradation study of polyvinyl acetate paints used in artworks by Py–GC/MS (2012)Colloid and Materials Science for the Conservation of Cultural Heritage: Cleaning, Consolidation, and Deacidification (2013)Not lining in the twenty‐first century: Attitudes to the structural conservation of canvas paintings (2002)In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945) (2019)Systematic mechanical assessment of consolidants for canvas reinforcement under controlled environment (2020)The creep performance of bio-based and synthetic lining adhesives at different environmental conditions (2022)
this work references cited by second hop

References

  • 1996Adhesive testing at the Canadian Conservation Institute-an evaluation of selected poly(vinyl acetate) and acrylic adhesives153 cited
  • 1978Conservation and Restoration of Pictorial Art73 cited
  • 2001Conservation of Paintings: Research and Innovations35 cited
  • 2014The evaluation of selected poly(vinyl acetate) and acrylic adhesives: A final research update28 cited
  • 2014The long-term stability of a popular heat-seal adhesive for the conservation of painted cultural objects27 cited
  • 1975HEAT-SEAL LINING OF A TORN PAINTING WITH BEVA 37124 cited
  • 2001The mechanical behaviour and environmental response of paintings to three types of lining treatment21 cited
  • 1985The Quantitative Testing and Comparisons of Peel and Lap/Shear for Lascaux 360 H.V. and Beva 37115 cited
  • 2001Conservation of Paintings: Research and Innovations14 cited
  • 2002An Investigation Into the Adhesive Bond and Transfer of Tension in Lined Canvas Paintings6 cited
  • 2011Conservazione e restauro2 cited

Cited by

  • 2016An analytical approach for the non-invasive selection of consolidants in rubber artworks12 cited

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