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Thomas Heywood: Playwright and Miscellanist
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  • 2013Constructing the Canon of Early Modern Drama80 cited
  • 2015“More legs than nature gave thee”: Performing the Cripple in The Fair Maid of the Exchange34 cited
  • 2013A Jacobean Company and Its Playhouse: The Queen's Servants at the Red Bull Theatre (C.1605-1619)28 cited
  • 2013“What Citadels, what turrets, and what towers”: Mapping the Tower of London in Thomas Heywood’s Lord Mayors’ Shows23 cited
  • 2004Reading Nascent Capitalism in Part II of Thomas Heywood's If You Know Not Me, You Know Nobody7 cited
  • 2012The Cambridge Companion to Shakespeare and Contemporary Dramatists6 cited
  • 2018Religious Conversion in Early Modern English Drama6 cited
  • 2004Sexual Consent and the Art of Love in the Early Modern English Lyric5 cited
  • 2006Politics and Aesthetic Pleasure in 1630s Theater4 cited
  • 2016Heywood’sAgesand Chapman’s Homer: nothing in common?2 cited
  • 2012‘The words of Mercury’2 cited
  • 2014“I am ripe for man”: Gendered Time in Thomas Heywood’sAn Emblematicall Dialogue(1637)2 cited
  • 2012George Chapman’s learned drama2 cited
  • 2012Thomas Dekker and the emergence of city comedy2 cited
  • 2016

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‘English Bess’ abroad: piracy, politics, and gender in the plays of Thomas Heywood
2 cited