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Stanislavsky’s Terms for Script Analysis: Vocabulary for Analyzing Screen Performances
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Stanislavsky’s Terms for Script Analysis: Vocabulary for Analyzing Screen Performances (2013)Stanislavsky’s Terms for Script Analysis:…Crafting film performances: Acting in the Hollywood studio era (2014)Crafting film performances: A…Reframing screen performance (2009)Reframing screen performanceStanislavsky in Focus (2008)Stanislavsky in FocusReframing Screen Performance (2008)Reframing Screen PerformanceLooking Past the Screen (2007)Looking Past the ScreenFilm Performance: From Achievement to Appreciation (2005)Film Performance: From Achiev…A Sense of Direction: Some Observations on the Art of Directing (2003)A Sense of Direction: Some Ob…Stanislavsky in Focus (2000)Stanislavsky in FocusDirecting actors : creating memorable performances for film and television (1996)Directing actors : creating m…Laban for Actors and Dancers (1993)Laban for Actors and DancersActing: Onstage and Off (1989)Acting: Onstage and OffActing in the Cinema (1988)Acting in the CinemaThe Anti-Theatrical Prejudice (1982)The Anti-Theatrical PrejudiceStar Acting: Gish, Garbo, Davis (1977)Star Acting: Gish, Garbo, Dav…Negotiating Hollywood: The Cultural Politics of Actors' Labor (1995)The ‘place’ of television in celebrity studies (2010)Feminist Film Studies (2012)MULTIMODAL COMPLEX EMOTIONS: GESTURE EXPRESSIVITY AND BLENDED FACIAL EXPRESSIONS (2006)Performance Design: An Analysis of Film Acting and Sound Design (2006)“Disciplined Improvisation” in the Rehearsal and Performance of Shakespeare: The Alternative Approach of Mike Alfreds (2012)Making Ahmad “Problem Conscious”: Educational Film and the Rural Lecture Caravan in 1930s British Malaya (2016)Film, cinema and reception studies : revisiting research on audience’s filmic and cinematic experiences (2018)Film, cinema and reception studies (2018)Celebrity and the Semiotics of Acting (1990)Drama, Performativity, and Performance (1998)The competence of theatre audiences in fifth- and fourth-century Athens (2006)Analysis and Predictive Modeling of Body Language Behavior in Dyadic Interactions from Multimodal Interlocutor Cues (2014)Stanislavski’s best student directs: Maria Lilina’s first and last production (2016)Using our Heads and HARTSS*: Developing Perspective-Taking Skills for Socioscientific Reasoning (*Humanities, ARTs, and Social Sciences) (2016)A Universe of Boundaries: Pixilated Performances in Jan Švankmajer’s Food (2013)Music Video’s Performing Bodies: Floria Sigismondi as Gestural Animator and Puppeteer (2015)Returning to an old question (2016)The Body’s Failed Labor: Performance Work in Sexploitation Cinema (2012)Introduction: Star-Making, Cult-Making and Forms of Authenticity (2013)Performance as Authorship: Sarah Michelle Gellar and Buffy Season 6 (2016)An Enactive Approach to Understanding Acting (2007)Perezhivanie and the experience of drama, metaxis and meaning making (2015)Channel hopping: Charlotte Rampling in French cinema of the early 2000s (2012)The Changing Determinants of UK Television Acting (2015)Confronting the impossibility of impossible bodies: Tom Cruise and the ageing male action hero movie (2017)Introduction—Celebrity Rites (2011)Celebrity 2.0: The Case of Marina Abramović (2015)
this work references cited by second hop

References

  • 1988Acting in the Cinema366 cited
  • 1982The Anti-Theatrical Prejudice318 cited
  • 2008Reframing Screen Performance95 cited
  • 2000Stanislavsky in Focus60 cited
  • 2008Stanislavsky in Focus53 cited
  • 1977Star Acting: Gish, Garbo, Davis51 cited
  • 2005Film Performance: From Achievement to Appreciation44 cited
  • 1993Laban for Actors and Dancers38 cited
  • 2007Looking Past the Screen36 cited
  • 2009Reframing screen performance31 cited
  • 2003A Sense of Direction: Some Observations on the Art of Directing24 cited
  • 1996Directing actors : creating memorable performances for film and television22 cited
  • 1989Acting: Onstage and Off21 cited
  • 2014Crafting film performances: Acting in the Hollywood studio era9 cited

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