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To See and be Seen: The heteroscopia of Hindi film posters
16 references·0 citing·28 second hop
To See and be Seen: The heteroscopia of Hindi film posters (2000)To See and be Seen: The heteroscopia of H…THREE INDIAN FILM STARS (2010)THREE INDIAN FILM STARSVision in context: Historical and contemporary perspectives on sight (1998)Vision in context: Historical…Camera Indica: the social life of Indian photographs (1998)Camera Indica: the social lif…Contemporary television : eastern perspectives (1996)Contemporary television : eas…Frames of mind : reflections on Indian cinema (1995)Frames of mind : reflections …Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought. (1994)Downcast Eyes: The Denigratio…Downcast eyes: the denigration of vision in twentieth-century French thought (1994)Downcast eyes: the denigratio…17 FROM ‘DISCOURSE IN THE NOVEL’ (1994)17 FROM ‘DISCOURSE IN THE NOV…Mikhail Bakhtin: creation of a prosaics (1991)Mikhail Bakhtin: creation of …Looking at Film Hoardings: Labour, Gender, Subjectivity and Everyday Life in India (1991)Looking at Film Hoardings: La…Ramayan: The Video (1990)Ramayan: The VideoMikhail Bakhtin (1990)Mikhail BakhtinVision and visuality (1988)Vision and visualityFrom Merchants to Emperors: British Artists and India, 1757-1930 (1986)From Merchants to Emperors: B…Through Indian Eyes. 19th and Early 20th Century Photography from India (1985)Through Indian Eyes. 19th and…Looking at Photographs (1982)Looking at PhotographsA Handbook of Qualitative Methodologies for Mass Communication Research (2002)Geopolitics and visuality: Sighting the Darfur conflict (2007)On the Relation between ‘Visual Research Methods’ and Contemporary Visual Culture (2013)The Construction of a Personal Position Repertoire: Method and Practice (2001)Tracing the Everyday 'Sitings' of Adolescents on the Internet: a strategic adaptation of ethnography across online and offline spaces (2003)“The Coat Traps All Your Body Heat”: Heterogeneity as Fundamental to Learning (2010)Locating processes of identification: studying the precipitates of re‐memory through artefacts in the British Asian home (2004)Signs Are Not the Garb of Meaning (2005)The Social and the Aesthetic: For a Post-Bourdieuian Theory of Cultural Production (2010)The Invention of the Passport (1999)Feminist Visualization: Re-envisioning GIS as a Method in Feminist Geographic Research (2002)Visibility (2007)The Constitution of Impairment: Modernity and the aesthetic of oppression (1999)The Tyranny of Transparency (2000)Visual Management Studies: Empirical and Theoretical Approaches* (2012)Border Crossings and Diasporic Identities: Media Use and Leisure Practices of an Ethnic Minority (2002)Religion in South Asia (2002)Technologies of the spirit (2009)Constructing the global corporation and corporate constructions of the global: a picture essay (2000)Photo Images: Jo Spence’s Narratives of Living with Illness (2002)The Available Means of Persuasion: Mapping a Theory and Pedagogy of Multimodal Public Rhetoric (2012)Talking science: language, learning, and values (1991)Perspective Making and Perspective Taking in Communities of Knowing (1995)Boundary Crossing and Boundary Objects (2011)What else? some more ways of thinking and doing ‘Children's Geographies’ (2006)Haptic geographies: ethnography, haptic knowledges and sensuous dispositions (2009)Where words fail, visuals ignite (2010)Relationships as dialogues (2004)
this work references cited by second hop

References

  • 1994Downcast eyes: the denigration of vision in twentieth-century French thought1,502 cited
  • 199417 FROM ‘DISCOURSE IN THE NOVEL’1,483 cited
  • 1991Mikhail Bakhtin: creation of a prosaics966 cited
  • 1990Mikhail Bakhtin953 cited
  • 1998Camera Indica: the social life of Indian photographs396 cited
  • 1988Vision and visuality311 cited
  • 1994Downcast Eyes: The Denigration of Vision in Twentieth-Century French Thought.242 cited
  • 1998Vision in context: Historical and contemporary perspectives on sight210 cited
  • 1982Looking at Photographs88 cited
  • 1990Ramayan: The Video70 cited
  • 1996Contemporary television : eastern perspectives31 cited
  • 1986From Merchants to Emperors: British Artists and India, 1757-193025 cited
  • 1991Looking at Film Hoardings: Labour, Gender, Subjectivity and Everyday Life in India25 cited
  • 2010THREE INDIAN FILM STARS21 cited
  • 1995Frames of mind : reflections on Indian cinema20 cited
  • 1985Through Indian Eyes. 19th and Early 20th Century Photography from India13 cited

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