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The Mind in the Cave — the Cave in the Mind: Altered Consciousness in the Upper Paleolithic
5 references·16 citing·47 second hop
The Mind in the Cave — the Cave in the Mind: Altered Consciousness in the Upper Paleolithic (1998)The Mind in the Cave — the Cave in the Mi…The cave beneath the sea : Paleolithic images at Cosquer (1996)The cave beneath the sea : Pa…Modelling the Production and Consumption of Rock Art (1995)Modelling the Production and …Wrestling with Analogy: A Methodological Dilemma in Upper Palaeolithic Art Research. (1991)Wrestling with Analogy: A Met…The Human revolution: behavioural and biological perspectives on the origins of modern humans (1990)The Human revolution: behavio…The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)The Signs of All Times: Entop…Identity Through Iteration: Secondary Imagemaking Practices as Expressions of Cultural Continuity, Change and Interpretation in the Rock Art of Southern Africa (2025)Identity Through Iteration: S…The deep past in the virtual present: developing an interdisciplinary approach towards understanding the psychological foundations of palaeolithic cave art (2023)The deep past in the virtual …Illuminating palaeolithic art using virtual reality: A new method for integrating dynamic firelight into interpretations of art production and use (2023)Illuminating palaeolithic art…Art by firelight? Using experimental and digital techniques to explore Magdalenian engraved plaquette use at Montastruc (France) (2022)Art by firelight? Using exper…Geografía de los animales: construcción filosófica de una subdisciplina científica a través de su historia (2020)Geografía de los animales: co…Shamanic Trance Journey with Animal Spirits: Ancient “Scientific” Strategy Dealing with Inverted Otherworld (2018)Shamanic Trance Journey with …Making sense of the chronology of Paleolithic cave painting from the perspective of material engagement theory (2017)Making sense of the chronolog…Evolutionary aspects of self- and world consciousness in vertebrates (2015)Evolutionary aspects of self-…Sacred Caves of the World: Illuminating the Darkness (2014)Sacred Caves of the World: Il…‘I am the Walrus’: Animal Identities and Merging with Animals – Exceptional Experiences? (2012)‘I am the Walrus’: Animal Ide…Analogical Evidence and Shamanism in Archaeological Interpretation: South African and European Palaeolithic Rock Art (2011)Analogical Evidence and Shama…Prehistoric Rock Art: Polemics and Progress (2010)Prehistoric Rock Art: Polemic…Prefigured in the Human Mind and Body: Toward an Ethnographically Informed Cognitive Archaeology of Metaphor and Religion (2010)Prefigured in the Human Mind …Myths, Making, and Consciousness (2008)Myths, Making, and Consciousn…Rock art as an archaeological and social indicator: The neolithisation of the Iberian Peninsula (2007)Rock art as an archaeological…Aesthetics and Rock Art. Editors: Thomas Heyd and John Clegg (2005)Aesthetics and Rock Art. Edit…Shamanism: Archaic Techniques of Ecstasy (1951)Outline of a Theory of Practice. (1980)The Constitution of Society. Outline of the Theory of Structuration (1984)Agency, art and altered consciousness: a motif in French (Quercy) Upper Palaeolithic parietal art (1997)Shamanism and Cognitive Evolution (with comments) (2002)NEANDERTAL SOCIAL STRUCTURE? (2012)Outline of a Theory of Practice (1977)Gender Trouble: Feminism and the Subversion of Identity (1991)Art and Agency: An Anthropological Theory (1999)Broken strings: interdisciplinarity and /Xam oral literature (2009)San rock art: evidence and argument (2015)The Impact of Contact and Colonization on Indigenous Worldviews, Rock Art, and the History of Southern Africa (2022)The Principles of Psychology (1891)What Is It Like to Be a Bat? (1974)Thinking, Fast and Slow (2011)The Affective Core of the Self: A Neuro-Archetypical Perspective on the Foundations of Human (and Animal) Subjectivity (2017)People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought (1978)Hunters and Herders of Southern Africa (1992)Why would anyone believe in God? (2005)Bridging Realms: Towards Ethnographically Informed Methods to Identify Religious and Artistic Practices in Different Settings (2014)Embodiment, Transformation and Ideology in the Rock Art of Trans-Pecos Texas (2016)Toward an Understanding of Indigenous Rock Art from an Ideational Cognitive Perspective (2023)Shamanism: Archaic Techniques of Ecstasy (1964)The Human Symbolic Revolution: A Darwinian Account (1995)What is this thing called science? (1999)The Upper Paleolithic Revolution (2002)What is this thing called science? (2014)Ethnographic analogy, the comparative method, and archaeological special pleading (2015)The Technology of Enchantment and the Enchantment of Technology (1992)Art and Agency An Anthropological Theory (1998)Neolithic rock art in context: Landscape history and the transition to agriculture in Mediterranean Spain (2008)Recent Data and Approaches on the Neolithization of the Iberian Peninsula (2014)Review of the archaeological contexts and theoretical models of the Neolithisation of Spain: The North Meseta, The Ebro Valley and Catalonia as a case study (2017)Le dessin enfantin (1927)The Medicine Dance of the ! Kung Bushmen (1969)The Evolutionary Emergence of Modern Human Behaviour: Language and its Archaeology (1991)The Archaeology of Religious Ritual (2007)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Art and Illusion (2017)Maya Cosmos: Three Thousand Years on the Shaman's Path (1995)The southern San and the trance dance: a pivotal debate in the interpretation of San rock paintings (2012)Paleolithic Art: A Cultural History (2013)Datura quids at Pinwheel Cave, California, provide unambiguous confirmation of the ingestion of hallucinogens at a rock art site (2020)Natural language and natural selection (1990)The evolutionary genetics of personality (2007)Looking at animals in human history (2008)The Prehistoric Development of Clothing: Archaeological Implications of a Thermal Model (2010)
this work references cited by second hop

References

  • 1990The Human revolution: behavioural and biological perspectives on the origins of modern humans559 cited
  • 1988The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply]474 cited
  • 1991Wrestling with Analogy: A Methodological Dilemma in Upper Palaeolithic Art Research.78 cited
  • 1995Modelling the Production and Consumption of Rock Art77 cited
  • 1996The cave beneath the sea : Paleolithic images at Cosquer66 cited

Cited by

  • 2015Evolutionary aspects of self- and world consciousness in vertebrates90 cited
  • 2007Rock art as an archaeological and social indicator: The neolithisation of the Iberian Peninsula53 cited
  • 2010Prehistoric Rock Art: Polemics and Progress46 cited
  • 2010Prefigured in the Human Mind and Body: Toward an Ethnographically Informed Cognitive Archaeology of Metaphor and Religion34 cited
  • 2008Myths, Making, and Consciousness34 cited
  • 2022Art by firelight? Using experimental and digital techniques to explore Magdalenian engraved plaquette use at Montastruc (France)20 cited
  • 2023The deep past in the virtual present: developing an interdisciplinary approach towards understanding the psychological foundations of palaeolithic cave art14 cited
  • 2011Analogical Evidence and Shamanism in Archaeological Interpretation: South African and European Palaeolithic Rock Art14 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2014
Sacred Caves of the World: Illuminating the Darkness
13 cited
  • 2017Making sense of the chronology of Paleolithic cave painting from the perspective of material engagement theory12 cited
  • 2020Geografía de los animales: construcción filosófica de una subdisciplina científica a través de su historia11 cited
  • 2023Illuminating palaeolithic art using virtual reality: A new method for integrating dynamic firelight into interpretations of art production and use10 cited
  • 2012‘I am the Walrus’: Animal Identities and Merging with Animals – Exceptional Experiences?10 cited
  • 2018Shamanic Trance Journey with Animal Spirits: Ancient “Scientific” Strategy Dealing with Inverted Otherworld8 cited
  • 2025Identity Through Iteration: Secondary Imagemaking Practices as Expressions of Cultural Continuity, Change and Interpretation in the Rock Art of Southern Africa4 cited
  • 2005Aesthetics and Rock Art. Editors: Thomas Heyd and John Clegg4 cited