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Embodying hardcore: rethinking ‘subcultural’ authenticities
16 references·13 citing·28 second hop
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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1990The Logic of Practice17,255 cited
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  • 1999SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE961 cited
  • 2001Between Geography and Philosophy: What Does It Mean to Be in the Place-World?709 cited
  • 2008Bindings against Boundaries: Entanglements of Life in an Open World578 cited
  • 2000Popular music and youth culture: music, identity and place

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468 cited

Cited by

  • 2014Female, Mosher, Transgressor: A 'Moshography' of Transgressive Practices within the Leeds Extreme Metal Scene23 cited
  • 2017Subcultural enterprises, brand value, and limits to financialized growth: The rise and fall of corporate surfing brands21 cited
  • 2014Queer punx: young women in the Newcastle hardcore space16 cited
  • 2013Female, Mosher, Transgressor: A 'Moshography' of Transgressive Practices within the Leeds Extreme Metal Scene15 cited
  • 2016Community, family and leisure immersion13 cited
  • 2018Gonzo Autoethnography: The Story of Monkey10 cited
  • 2019‘Feel the Knife Pierce You Intensely’: Slayer’s ‘Angel of Death’—Holocaust Representation or Metal Affects?7 cited
  • 2014Brothers of Metal! Heavy Metal Masculinities, Moshpit Practices and Homosociality6 cited
  • 2021The power of local networking: Bologna’s music scene as a creative community, 1978–19926 cited
  • 2020The Research: Methods and Methodology4 cited
  • 2021The Crossroads: Selling Your Soul for Rock n' Roll4 cited
  • 2019‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive3 cited
  • 2016Creating the right 'vibe': Exploring the utilisation of space at Hip Hop concerts in Adelaide and Melbourne3 cited