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Confessions of an Intellectual (Property): Danger Mouse, Mickey Mouse, Sonny Bono, and My Long and Winding Path as a Copyright Activist‐Academic1
9 references·12 citing·32 second hop
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this work references cited by second hop

References

  • 1993The queen's throat: opera, homosexuality, and the mystery of desire759 cited
  • 2001Copyrights and Copywrongs: The Rise of Intellectual Property and How it Threatens Creativity657 cited
  • 1997Paul McCartney: Many Years from Now201 cited
  • 2005The anarchist in the library: how the clash between freedom and control is hacking the real world and crashing the system126 cited
  • 1993Deconstructing Communication: Representation, Subject, and Economies of Exchange97 cited
  • 2002Yes Yes Y'all: The Experience Music Project Oral History Of Hip-hop's First Decade96 cited
  • 2001Owning Culture: Authorship, Ownership, and Intellectual Property Law89 cited
  • 1993The Roaring Silence -- John Cage: A Life75 cited
  • 2003Undercurrents: The Hidden Wiring of Modern Music73 cited

Cited by

  • 2010Creative Networks and the City22 cited
  • 2015What Did Danger Mouse Do? The Grey Album and Musical Composition in Configurable Culture16 cited
  • 2007Mediated Music Makers: Constructing Author Images in Popular Music12 cited
  • 2014Paul's BoutiqueandFear of a Black Planet: Digital Sampling and Musical Style in Hip Hop7 cited
  • 2010Bastards and Booties: Production, Copyright, and the Mashup Community7 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2012
The Media Contingencies of Generation Mashup: A Žižekian Critique
7 cited
  • 2010Creative Networks and the City7 cited
  • 2008Networks of aesthetic production and the urban political economy6 cited
  • 2021The role of mashup music in creating Web 2.0’s democratic promise5 cited
  • 2018Gendered Power Relationships in Mashups4 cited
  • 2020Taking Care of Authenticity on the CBC’s Randy’s Vinyl Tap4 cited
  • 2016Justin Bieber Featuring Slipknot4 cited