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Memorializing Mary Tudor: William Byrd and Edward Paston's 'Crowned with Flowers and Lilies'
16 references·0 citing·27 second hop
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References

  • 2009Fires of faith: Catholic England under Mary Tudor225 cited
  • 1998:Sir Philip Sidney and the Circulation of Manuscripts, 1558-1640168 cited
  • 1995The Development of the Sonnet: An Introduction166 cited
  • 1938A Plaine and Easie Introduction to Practicall Musicke147 cited
  • 1986Essays on Italian Poetry and Music in the Renaissance, 1350–1600117 cited
  • 1982The Masses and Motets of William Byrd86 cited
  • 1951Source Readings in Music History, from Classical Antiquity Through the Romantic Era85 cited
  • 2007Catholicism and community in early modern England: politics, aristocratic patronage, and religion, c. 1550-164077 cited
  • 1992Studies on the Origin of Harmonic Tonality63 cited
  • 1997MARY TUDOR AS ‘SOLE QUENE’?: GENDERING TUDOR MONARCHY62 cited
  • 1992THE TENBURY AND ELLESMERE PARTBOOKS: NEW FINDINGS ON MANUSCRIPT COMPILATION AND EXCHANGE, AND THE RECEPTION OF THE ITALIAN MADRIGAL IN ELIZABETHAN ENGLAND51 cited
  • 1998:William Byrd: Gentleman of the Chapel Royal38 cited
  • 1990The Well enchanting skill : music, poetry, and drama in the culture of the Renaissance : essays in honour of F.W. Sternfeld32 cited
  • 2007The Monuments of Elizabeth Tudor and Mary Stuart: King James and the Manipulation of Memory32 cited

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1996
William Byrd, John Petre and Oxford, Bodleian Ms Mus. Sch. E. 423
27 cited
  • 1952A Plain and Easy Introduction to Practical Music26 cited
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