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Toward a Phenomenological Model of the Actor's Embodied Modes of Experience
16 references·6 citing·26 second hop
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this work references cited by second hop

References

  • 1982Phenomenology of Perception11,940 cited
  • 1987The Body in the Mind6,478 cited
  • 1964Phenomenology of Perception.3,160 cited
  • 1968The visible and the invisible2,449 cited
  • 1999Philosophy in the flesh1,982 cited
  • 1990The absent body1,323 cited
  • 2000Introduction to phenomenology1,132 cited
  • 1983Role Playing and Identity: The Limits of Theatre as Metaphor.213 cited
  • 1998Bodied Spaces: Phenomenology and Performance in Contemporary Drama183 cited
  • 2000Performing Live: Aesthetic Alternatives for the Ends of Art138 cited
  • 1998When the Body Becomes All Eyes: Paradigms, Discourses and Practices of Power in Kalarippayattu, a South Indian Martial Art105 cited
  • 2000Kathakali dance-drama: where gods and demons come to play70 cited
  • 1980The philosophy of classical yoga54 cited
  • 1977Yoga and the Hindu Tradition39 cited
  • 2002The Metaphysical Studio27 cited
  • 2001Negotiating Performance Epistemologies: knowledges ‘about’, ‘in’ and ‘for’17 cited

Cited by

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  • 2019Silence and Attunement in Legal Performance12 cited
  • 2016Analytic Productions in Post-Intentional Phenomenological Research10 cited
  • 2015The art of creating a Kathakali performer’s ‘Presence’9 cited
  • 2010Method(ology), pedagogy and praxis: a phenomenology of the pre-performative training regime of Phillip Zarrilli8 cited
  • 2020Breathing beyond Embodiment: Exploring Emergence, Grieving and Song in Laboratory Theatre7 cited
  • 2016The Environment-Within-Person Perspective: Integrating a Mindfulness Framework into Social Work Practice4 cited