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Identification of diterpenes in canvas painting varnishes by gas chromatography–mass spectrometry with combined derivatisation
3 references·13 citing·41 second hop
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this work references cited by second hop

References

  • 2000Mass spectrometric methodology for the analysis of highly oxidized diterpenoid acids in Old Master paintings172 cited
  • 1997Study of binding media in works of art by gas chromatographic analysis of amino acids and fatty acids derivatized with ethyl chloroformate52 cited
  • 2001Identification by GC-FID and GC-MS of amino acids, fatty and bile acids in binding media used in works of art52 cited

Cited by

  • 2011Analytical pyrolysis with in situ thermally assisted derivatisation, Py(HMDS)-GC/MS, for the chemical characterization of archaeological birch bark tar41 cited
  • 2006Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media40 cited
  • 2009Ageing behaviour and analytical characterization of the Jatobá resin collected from Hymenaea stigonocarpa Mart.33 cited
  • 2011Gas chromatography/mass spectrometry and pyrolysis-gas chromatography/mass spectrometry for the chemical characterisation of modern and archaeological figs (Ficus carica)28 cited
  • 2007Gas chromatography–mass spectrometry characterization of the varnish and glue of an ancient 18th century double bass25 cited
  • 2008Application of high-performance separation techniques in archaeometry25 cited
  • 2007Analysis of diterpenoic compounds in natural resins applied as binders in museum objects by capillary electrophoresis23 cited
  • 2014Analytical characterisation of the biodeterioration of diterpenoid labdanic varnishes used in pictorial techniques: Sandarac and Manila copal20 cited
  • 2010Organic patinas on Renaissance and Baroque bronzes–Interpretation of compositions of the original patination by using a set of simulated varnished bronze coupons

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20 cited
  • 2015Tibetan wall painting: Investigation of materials and techniques and DNA analysis of proteinaceous binding medium18 cited
  • 2021Unraveling the origin of aged varnishes for the proper restoration of old paintings using spectroscopic and spectrometric techniques14 cited
  • 2018An Enhanced GC/MS Procedure for the Identification of Proteins in Paint Microsamples14 cited
  • 2016Natural products such as adhesives in oil paintings12 cited