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Schenker's Conception of Musical Structure
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Cited by

  • 2005The Routledge Companion to Aesthetics202 cited
  • 2001The Question of Purpose in Music Theory: Description, Suggestion, and Explanation75 cited
  • 2011Metaphors of depth in German musical thought : from E. T. A. Hoffmann to Arnold Schoenberg73 cited
  • 2023Tonality35 cited
  • 2003Hans Weisse and the Dawn of American Schenkerism33 cited
  • 1982Organic Structure and the Song Cycle: Another Look at Schumann's "Dichterliebe"32 cited
  • 1997The ♯IV(♭V) Hypothesis: Testing the Limits of Schenker's Theory of Tonality29 cited
  • 1983On Some Properties of Schenker's Pitch Derivations29 cited
  • 2017Changing Content in Flagship Music Theory Journals, 1979–201425 cited
  • 2004Deep-Level Portrayals of Directed and Misdirected Motions in Nineteenth-Century Lyric Song23 cited
  • 1987Some Instances of Parallel Voice-Leading in Debussy19 cited
  • 1975Structural Levels of Rhythm and Form in African Music19 cited
  • 1975Structural levels of rhythm and form in African music: with particular reference to the West Coast18 cited
  • 1992Rewriting Schenker: Narrative--History--Ideology16 cited
  • 2015

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Becoming Heinrich Schenker: music theory and ideology
14 cited
  • 2006Journal of Music Theoryover the Years13 cited