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Time, Color, and Sound: Revisiting the Rock Art of Didima Gorge, South Africa
16 references·16 citing·37 second hopsampled
Time, Color, and Sound: Revisiting the Rock Art of Didima Gorge, South Africa (2011)Time, Color, and Sound: Revisiting the Ro…Unsettled times: shaded polychrome paintings and hunter-gatherer history in the southeastern mountains of southern Africa (2009)Unsettled times: shaded polyc…Engraved art and acoustic resonance: exploring ritual and sound in north-western South Africa (2009)Engraved art and acoustic res…Tracks in a mountain range: exploring the history of the uKhahlamba-Drakensberg (2007)Tracks in a mountain range: e…Rock art sequences in uKhahlamba-Drakensberg Park, South Africa (2004)Rock art sequences in uKhahla…The mind in the cave: consciousness and the origins of art (2003)The mind in the cave: conscio…Dating rock paintings in the uKhahlamba-Drakensberg and the Biggarsberg, KwaZulu-Natal, South Africa (2003)Dating rock paintings in the …The Application of the Harris Matrix to San Rock Art at Main Caves North, Kwazulu-Natal (2000)The Application of the Harris…Accelerator radiocarbon dating of Natal Drakensberg paintings: results and implications (1997)Accelerator radiocarbon datin…Sound reflection as an explanation for the content and context of rock art (1993)Sound reflection as an explan…People making history: the last ten thousand years of hunter-gatherer communities in the Thukela Basin. (1989)People making history: the la…Cattle, Sheep and Horses: A Review of Domestic Animals in the Rock Art of Southern Africa (1986)Cattle, Sheep and Horses: A R…Diamond 1 and Clarke's Shelter: report on excavations in the northern Drakensberg, Natal, South Africa. (1984)Diamond 1 and Clarke's Shelte…Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Believing and Seeing: Symboli…People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought (1978)People of the Eland: Rock-Pai…Ndedema. A documentation of the rock paintings of the Ndedema Gorge (1978)Ndedema. A documentation of t…Percussion and Transition (1967)Percussion and TransitionHow to Conduct an Archaeoacoustic Study of Rock Art Sites through Impulse Response Measurements (2026)How to Conduct an Archaeoacou…Rock Art and Hunter–Gatherer Landscapes: Iconography, Cosmology and Topography in Southern Africa (2025)Rock Art and Hunter–Gatherer …On the relationship between sound, acoustics, and San rock art: An archaeoacoustic study at twenty-seven sites in the Maloti-Drakensberg mountains (South Africa) (2024)On the relationship between s…Music and Storytelling at Rock Art Sites? The Archaeoacoustics of the Urkosh Area (Russian Altai) (2023)Music and Storytelling at Roc…La mobilisation des données dans l'interprétation rituelle des arts rupestres San du Maloti-Drakensberg (2023)La mobilisation des données d…The Role of Rock Art as a Mnemonic Device in the Memorisation of Cultural Knowledge (2022)The Role of Rock Art as a Mne…Mountain living: The Holocene people of the uKhahlamba-Drakensberg, South Africa (2021)Mountain living: The Holocene…uKhahlamba-Drakensberg Park (South Africa), Rock Art at (2020)uKhahlamba-Drakensberg Park (…The Doring River bullroarers rock painting: Continuities in sound and rainmaking (2020)The Doring River bullroarers …uKhahlamba-Drakensberg Park (South Africa), Rock Art At (2019)uKhahlamba-Drakensberg Park (…Hear Here: Prehistoric Artists Preferentially Selected Reverberant Spaces and Choice of Subject Matter Underscores Ritualistic Use of Sound (2018)Hear Here: Prehistoric Artist…Hearing rock art landscapes: a survey of the acoustical perception in the Sierra de San Serván area in Extremadura (Spain) (2017)Hearing rock art landscapes: …Sounds and sound thinking in |xam-ka !au: “These are those to which I am listening with all my ears” (2016)Sounds and sound thinking in …Evolution of tonal organization in music mirrors symbolic representation of perceptual reality. Part-1: Prehistoric (2015)Evolution of tonal organizati…The Sound of Rock Art. The Acoustics of the Rock Art of Southern A ndalusia ( S pain) (2014)The Sound of Rock Art. The Ac…Paint and Earth: Constructing Hunter-Gatherer History in the uKhahlamba-Drakensberg, South Africa (2013)Paint and Earth: Constructing…The varieties of religious experience: A study in human nature. (1902)Bright air, brilliant fire: on the matter of the mind (1992)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)The Emergence of Ornaments and Art: An Archaeological Perspective on the Origins of “Behavioral Modernity” (2007)Pleistocene cave art from Sulawesi, Indonesia (2014)Earliest hunting scene in prehistoric art (2019)Right and Left in Nyoro Symbolic Classification (1967)Towards an experiential analysis of shamanism (1980)Cultural Rituals and Obsessive‐Compulsive Disorder: Is There a Common Psychological Mechanism? (1994)Ritual and Its Consequences (2008)Principles of Archaeological Stratigraphy (1981)Images of Power: Understanding Bushman Rock Art (1990)Pastoral nomads of the central Namib Desert: the people history forgot (1993)Add shamans and stir? A critical review of the shamanism model of forager rock art production (2006)Digital image enhancement with DStretch®: Is complexity always necessary for efficiency? (2015)Evidence of Human Migrations from the Rock art of Southern Rhodesia (1965)The Iron Age Sequence South of the Vaal and Pongola Rivers: some Historical Implications (1980)The Rock Art of Southern Africa (1984)A dream of eland: An unexplored component of San shamanism and rock art (1987)Shamanism and Rock Paintings: Aspects of the Use of Rock Art in the South-Western Cape, South Africa (1991)Prehistoric exchange and interaction in southeastern southern africa: Marine shells and ostrich eggshell (1996)Coping with risk: Later stone age technological strategies at Blydefontein Rock Shelter, South Africa (2005)The early history of clicks in Nguni (2022)Rock temperatures as an indicator of weathering processes affecting rock art (2006)The thermal responses of rock art pigments: Implications for rock art weathering in southern Africa (2007)The earliest directly dated rock paintings from southern Africa: new AMS radiocarbon dates (2017)Holocene later stone age hunter-gatherers south of the Limpopo River, Ca. 10,000-2000 B.P. (1997)The first Raman spectroscopic study of San rock art in the Ukhahlamba Drakensberg Park, South Africa (2008)Uranium-series age estimates for rock art in southwest China (2011)Style and Social Information in Kalahari San Projectile Points (1983)Reconsidering the behavioral basis for style: A case study among the Kalahari San (1984)The Human Symbolic Revolution: A Darwinian Account (1995)Reading art, writing history: Rock art and social change in Southern Africa (1994)The Woman with the Zebra's Penis: Gender, Mutability and Performance (1997)The Prehistoric Development of Clothing: Archaeological Implications of a Thermal Model (2010)Therianthropes in San Rock Art (2002)Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images (2004)
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References

  • 2003The mind in the cave: consciousness and the origins of art595 cited
  • 1982Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings.436 cited
  • 1978People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought269 cited
  • 1967Percussion and Transition195 cited
  • 1989People making history: the last ten thousand years of hunter-gatherer communities in the Thukela Basin.131 cited
  • 1986Cattle, Sheep and Horses: A Review of Domestic Animals in the Rock Art of Southern Africa75 cited
  • 2003Dating rock paintings in the uKhahlamba-Drakensberg and the Biggarsberg, KwaZulu-Natal, South Africa67 cited
  • 1978Ndedema. A documentation of the rock paintings of the Ndedema Gorge66 cited
  • 2000The Application of the Harris Matrix to San Rock Art at Main Caves North, Kwazulu-Natal63 cited
  • 1997Accelerator radiocarbon dating of Natal Drakensberg paintings: results and implications48 cited
  • 2007Tracks in a mountain range: exploring the history of the uKhahlamba-Drakensberg44 cited
  • 1993Sound reflection as an explanation for the content and context of rock art41 cited
  • 2009Unsettled times: shaded polychrome paintings and hunter-gatherer history in the southeastern mountains of southern Africa38 cited
  • 1984Diamond 1 and Clarke's Shelter: report on excavations in the northern Drakensberg, Natal, South Africa.

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35 cited
  • 2009Engraved art and acoustic resonance: exploring ritual and sound in north-western South Africa33 cited
  • 2004Rock art sequences in uKhahlamba-Drakensberg Park, South Africa27 cited
  • Cited by

    • 2015Evolution of tonal organization in music mirrors symbolic representation of perceptual reality. Part-1: Prehistoric28 cited
    • 2014The Sound of Rock Art. The Acoustics of the Rock Art of Southern A ndalusia ( S pain)15 cited
    • 2017Hearing rock art landscapes: a survey of the acoustical perception in the Sierra de San Serván area in Extremadura (Spain)12 cited
    • 2021Mountain living: The Holocene people of the uKhahlamba-Drakensberg, South Africa9 cited
    • 2013Paint and Earth: Constructing Hunter-Gatherer History in the uKhahlamba-Drakensberg, South Africa9 cited
    • 2016Sounds and sound thinking in |xam-ka !au: “These are those to which I am listening with all my ears”9 cited
    • 2018Hear Here: Prehistoric Artists Preferentially Selected Reverberant Spaces and Choice of Subject Matter Underscores Ritualistic Use of Sound6 cited
    • 2020The Doring River bullroarers rock painting: Continuities in sound and rainmaking6 cited
    • 2025Rock Art and Hunter–Gatherer Landscapes: Iconography, Cosmology and Topography in Southern Africa5 cited
    • 2023Music and Storytelling at Rock Art Sites? The Archaeoacoustics of the Urkosh Area (Russian Altai)5 cited
    • 2022The Role of Rock Art as a Mnemonic Device in the Memorisation of Cultural Knowledge4 cited
    • 2024On the relationship between sound, acoustics, and San rock art: An archaeoacoustic study at twenty-seven sites in the Maloti-Drakensberg mountains (South Africa)2 cited
    • 2026How to Conduct an Archaeoacoustic Study of Rock Art Sites through Impulse Response Measurements1 cited
    • 2019uKhahlamba-Drakensberg Park (South Africa), Rock Art At0 cited
    • 2020uKhahlamba-Drakensberg Park (South Africa), Rock Art at0 cited
    • 2023La mobilisation des données dans l'interprétation rituelle des arts rupestres San du Maloti-Drakensberg0 cited