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Amelia Opie's "Maid of Corinth" and the Origins of Art
9 references·4 citing·27 second hop
Amelia Opie's "Maid of Corinth" and the Origins of Art (2004)Amelia Opie's "Maid of Corinth" and the O…6951, 1805-05-17, BOYDELL\'s Shakespeare Gallery (2017)6951, 1805-05-17, BOYDELL\'s …"Taught by Love": The Origin of Painting Again (1999)"Taught by Love": The Origin …A Short History of the Shadow (1997)A Short History of the ShadowShadows: The Depiction of Cast Shadows in Western Art (1996)Shadows: The Depiction of Cas…Painting for Money: The Visual Arts and the Public Sphere in Eighteenth- Century England. (1994)Painting for Money: The Visua…Wright of Derby (1990)Wright of DerbyThe Political Theory of Painting from Reynolds to Hazlitt: "The Body of the Public." (1990)The Political Theory of Paint…Joseph Wright of Derby, Painter of Light (1973)Joseph Wright of Derby, Paint…The Origin of Painting: A Problem in the Iconography of Romantic Classicism (1957)The Origin of Painting: A Pro…Feeling and Classical Philology: Knowing Antiquity in German Scholarship, 1770–1920 (2020)Feeling and Classical Philolo…Kate Davis: Re-Visioning Art History after Modernism and Postmodernism (2015)Kate Davis: Re-Visioning Art …Portrait of a Marriage: John and Amelia Opie and the Sister Arts (2011)Portrait of a Marriage: John …"No Colour of Language": Radcliffe's Aesthetic Unbound (2006)"No Colour of Language": Radc…Visual Pleasure and Narrative Cinema (1975)The Politics of Education (1985)The Aftermath of Feminism: Gender, Culture and Social Change (2008)Future Philology? The Fate of a Soft Science in a Hard World (2009)Winckelmann and the Invention of Antiquity (2013)Art and Rhetoric in Roman Culture (2014)Notes for conservators on wright of Derby's technique and studio practice (1991)An Air of History: Joseph Wright's and Robert Boyle's Air Pump Narratives (2012)Representation and landscape: Drawing and making in the landscape medium (1992)Feeling and Classical Philology (2020)Luminous environment: light, architecture and decoration in modern Japan (2006)Seeing Dark Things (2008)Culture and attention: Recent empirical findings and new directions in cultural psychology (2017)A Bibliography of the Concept Offentlichkeit (1994)The British Museum and the Virtual Representation of Culture in the Eighteenth Century (2000)The History of Masculinity, circa 1650–1800 (2005)Jane Austen, Emma, and the Impact of Form (2000)History of Modern Aesthetics (2005)Habitus Clivé: Aesthetics and Politics in the Work of Pierre Bourdieu (2007)No “Publick funerall”? Lucy Hutchinson’s elegy, epitaph, monument (2015)Moving through a dappled world: the aesthetics of shade and shadow in place (2019)Paper Profiles: American Portrait Silhouettes (2002)‘La fille de Dibutade', ou l'inventrice inventée (2007)Tracing Lines: On the Educational Significance of Drawing (2021)Picturing Tragedy: Mrs. Siddons as The Tragic Muse Revisited (2000)The Illustrated Shakespeare, 1709–1875 (2008)The Significance of Copyright History for Publishing History and Historians (2010)
this work references cited by second hop

References

  • 1994Painting for Money: The Visual Arts and the Public Sphere in Eighteenth- Century England.180 cited
  • 1990The Political Theory of Painting from Reynolds to Hazlitt: "The Body of the Public."114 cited
  • 1957The Origin of Painting: A Problem in the Iconography of Romantic Classicism74 cited
  • 1996Shadows: The Depiction of Cast Shadows in Western Art71 cited
  • 1997A Short History of the Shadow65 cited
  • 20176951, 1805-05-17, BOYDELL\'s Shakespeare Gallery44 cited
  • 1999"Taught by Love": The Origin of Painting Again37 cited
  • 1973Joseph Wright of Derby, Painter of Light18 cited
  • 1990Wright of Derby17 cited

Cited by

  • 2020Feeling and Classical Philology: Knowing Antiquity in German Scholarship, 1770–192027 cited
  • 2015Kate Davis: Re-Visioning Art History after Modernism and Postmodernism24 cited
  • 2011Portrait of a Marriage: John and Amelia Opie and the Sister Arts18 cited
  • 2006"No Colour of Language": Radcliffe's Aesthetic Unbound7 cited

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