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Some Improvements in the Study of Cross Sections
3 references·7 citing·45 second hop
Some Improvements in the Study of Cross Sections (1991)Some Improvements in the Study of Cross S…Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis of Aged Paint Binder…METHODS USED FOR THE IDENTIFICATION OF BINDING MEDIA IN ITALIAN PAINTINGS OF THE FIFTEENTH AND SIXTEENTH CENTURIES (1971)METHODS USED FOR THE IDENTIFI…Cross-Sections and Chemical Analysis of Paint Samples (1956)Cross-Sections and Chemical A…Evaluation of the effect of different paint cross section preparation methods on the performances of Fourier transformed infrared microscopy in total reflection mode (2013)Evaluation of the effect of d…Evaluation of the effect of six different paint cross section preparation methods on the performances of Fourier Transformed Infrared microscopy in attenuated total reflection mode (2012)Evaluation of the effect of s…Application of Micro-Raman and Ft-Ir Spectroscopy in Forensic Analysis of Questioned Documents (2012)Application of Micro-Raman an…Microanalysis of Gothic mural paintings (15th century) in Slovenia: Investigation of the technique used by the Masters (2008)Microanalysis of Gothic mural…Pigments and binders in the wall paintings of Santa Maria della Steccata in Parma (Italy): the ultimate technique of Parmigianino (2004)Pigments and binders in the w…Efficient New Methods for Embedding Paint and Varnish Samples for Microscopy (2004)Efficient New Methods for Emb…Some New Analytical Techniques for Use in Conservation (1994)Some New Analytical Technique…FTIR – Deconvolution Spectra of Paper Documents (2002)SPECTRAL METHODS FOR HISTORICAL PAPER ANALYSIS: COMPOSITION AND AGE APPROXIMATION (2009)Forensic differentiation of paper by X-ray diffraction and infrared spectroscopy (2010)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)New Advances in the Application of FTIR Microscopy and Spectroscopy for the Characterization of Artistic Materials (2010)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Localization of proteins in paint cross-sections by scanning electrochemical microscopy as an alternative immunochemical detection technique (2014)Improving FTIR imaging speciation of organic compound residues or their degradation products in wall painting samples, by introducing a new thin section preparation strategy based on cyclododecane pre-treatment (2015)Micro-XRF analysis of a Brazilian polychrome sculpture (2019)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)A detailed micro‐Raman spectroscopic study of wall paintings of the period AD 100–200: effect of atmospheric conditions on the alteration of samples (2010)Multi-analytical approach to the mural painting from an ancient tomb of Ming Dynasty in Jiyuan, China: Characterization of materials and techniques (2022)National Gallery Technical Bulletin (1979)The Organic Chemistry of Museum Objects (1988)FTIR Studies of the Effects of Pigments on the Aging of Oil (2005)Attenuated total reflection micro FTIR characterisation of pigment–binder interaction in reconstructed paint films (2008)Characterisation of metal carboxylates by Raman and infrared spectroscopy in works of art (2014)La Chimica nel Restauro: I Materiali dell'Arte Pittorica (1991)Non-Destructive Microanalysis of Cultural Heritage Materials (2004)Pigment Compendium: A Dictionary of Historical Pigments (2007)Application of Science in Examination of Works of Art (1959)VERDIGRIS AND COPPER RESINATE (1970)SOME IMPROVEMENTS IN TECHNIQUES OF ANALYSIS OF PAINT MEDIA (1977)Cross-Section and Staining-Based Techniques for Investigating Organic Materials in Painted and Polychrome Works of Art: A Review (2012)The Pigments and Mediums of the Old Masters (1914)Embedding Paint Cross-Section Samples in Polyester Resins: Problems and Solutions (1994)Preparation of cross-sections from easel paintings (2003)Seville City Hall Chapter Room ceiling decoration (2010)Optimal Sample Preparation for the Analysis of Micrometric Heterogeneous Samples (2015)A skewed balance? (2017)Applications of the Environmental Scanning Electron Microscope to Conservation Science (1990)Furniture Finish Layer Identification by Infrared Linear Mapping Microspectroscopy (1992)Photo-induced chemiluminescence: A sensitive probe of oxidative changes in organic materials (1993)Aspects of Chemical Research in Conservation: The Deterioration Process (1994)Scanning electron microscopy techniques for imaging materials from paintings. (2000)Identification of cellulose nitrate X-ray film for the purpose of conservation: Organic elemental analysis (2016)ATR-FTIR imaging for the analysis of organic materials in paint cross sections: case studies on paint samples from the National Gallery, London (2008)The Nature of the Extraordinary Finish of Stradivari’s Instruments (2009)FT-NIR microscopy: An advanced spectroscopic approach for the characterisation of paint cross-sections (2013)Development of a multi-method analytical approach based on the combination of synchrotron radiation X-ray micro-analytical techniques and vibrational micro-spectroscopy methods to unveil the causes and mechanism of darkening of “fake-gilded” decorations in a Cimabue painting (2021)VERMILION AND CINNABAR (1972)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)
this work references cited by second hop

References

  • 1990Analysis of Aged Paint Binders by FTIR Spectroscopy282 cited
  • 1956Cross-Sections and Chemical Analysis of Paint Samples180 cited
  • 1971METHODS USED FOR THE IDENTIFICATION OF BINDING MEDIA IN ITALIAN PAINTINGS OF THE FIFTEENTH AND SIXTEENTH CENTURIES68 cited

Cited by

  • 2012Evaluation of the effect of six different paint cross section preparation methods on the performances of Fourier Transformed Infrared microscopy in attenuated total reflection mode27 cited
  • 2004Pigments and binders in the wall paintings of Santa Maria della Steccata in Parma (Italy): the ultimate technique of Parmigianino27 cited
  • 2013Evaluation of the effect of different paint cross section preparation methods on the performances of Fourier transformed infrared microscopy in total reflection mode24 cited
  • 2004Efficient New Methods for Embedding Paint and Varnish Samples for Microscopy23 cited
  • 1994Some New Analytical Techniques for Use in Conservation19 cited
  • 2012Application of Micro-Raman and Ft-Ir Spectroscopy in Forensic Analysis of Questioned Documents12 cited
  • 2008Microanalysis of Gothic mural paintings (15th century) in Slovenia: Investigation of the technique used by the Masters12 cited

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