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The Moor's Last Sigh
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  • 2011The Postcolonial Unconscious395 cited
  • 1997From Manner to Subject Modification: Adverbialization in English142 cited
  • 2002Metaphor identification and analysis, classification and quantification51 cited
  • 2002Linguistic metaphor identification in two extracts from novels50 cited
  • 2013Realism in the twentieth-century Indian novel: colonial difference and literary form39 cited
  • 2011Space and identity: constructions of national identities in an age of globalisation38 cited
  • 2011Urbanism, mobility and Bombay: Reading the postcolonial city37 cited
  • 2021Emotions and Temporalities26 cited
  • 1998The Liminalities of Nation and Gender: Salman Rushdie's "Shame"26 cited
  • 1996Rushdie's Dastan-E-Dilruba: The Satanic Verses as Rushdie's Love Letter to Islam24 cited
  • 2007Beyond the Silver Screen21 cited
  • 2000The Dutchman in the Attic: Claiming an Inheritance in The Sketch Book of Geoffrey Crayon20 cited
  • 2012One World? The Poetics of Passenger Flight and the Perception of the Global19 cited
  • 2019Practices, Constructions and Deconstructions of “World Literature” and “Indian Literature” from the PEN All-India Centre to Arvind Krishna Mehrotra16 cited

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  • 2017Against Supersessionist Thinking: Old and New, Jews and Postcolonialism, the Ghetto and Diaspora16 cited
  • 2010Mother/land: Complexities of Love and Loyalty in Alexandre Herculano, Eca de Queiros and Helia Correia14 cited