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Sleaze Mania, Euro-Trash, and High Art: The Place of European Art Films in American Low Culture
16 references·1 citing·32 second hop
Sleaze Mania, Euro-Trash, and High Art: The Place of European Art Films in American Low Culture (1999)Sleaze Mania, Euro-Trash, and High Art: T…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…Men, Women, and Chain Saws: Gender in the Modern Horror Film (2015)Men, Women, and Chain Saws: G…Freakery: cultural spectacles of the extraordinary body (1997)Freakery: cultural spectacles…'Trashing' the academy: taste, excess, and an emerging politics of cinematic style (1995)'Trashing' the academy: taste…Film History: An Introduction (1994)Film History: An IntroductionThe Desire to Desire: The Woman's Film of The 1940s (1993)The Desire to Desire: The Wom…The cinematic body (1993)The cinematic bodySignatures of the Visible (1992)Signatures of the VisibleMen, women, and chain saws: gender in the modern horror film (1992)Men, women, and chain saws: g…Interpreting Films (1992)Interpreting FilmsA cinema without walls: movies and culture after Vietnam (1992)A cinema without walls: movie…Film Bodies: Gender, Genre, and Excess (1991)Film Bodies: Gender, Genre, a…Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)Highbrow/lowbrow: the emergen…Thinking Through the Body (1988)Thinking Through the BodyVisions of Excess: Selected Writings, 1927-1939 (1985)Visions of Excess: Selected W…Distinction. A Social Critique of the Judgement of Taste (1985)Distinction. A Social Critiqu…Bahtinyen Karnavalesk Bağlamında Kült Film Kavramı (2020)Bahtinyen Karnavalesk Bağlamı…Visual Pleasure and Narrative Cinema (1975)Home is where the heart is: studies in melodrama and the woman's film (1988)Hard core: power, pleasure, and "the frenzy of the visible" (1990)What Does It Mean to Be an American? Patriotism, Nationalism, and American Identity After 9/11 (2004)The Corporeal Image (2005)Feminist Visualization: Re-envisioning GIS as a Method in Feminist Geographic Research (2002)CEO Portraits and the Authenticity Paradox* (2005)Visibility (2007)Talking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Voicing Seduction to Silence Leadership (1991)Remapping Memory: The Politics of TimeSpace (1994)Escape Routes: Control and Subversion in the Twenty-First Century (2008)Film Festivals : From European Geopolitics to Global Cinephilia (2007)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)A philosophy of cinematic art (2010)Policy as Discourse: What does it mean? Where does it get us? (2000)A/r/tography as Living Inquiry Through Art and Text (2005)Becoming and Being Hopeful: Towards a Theory of Affect (2006)Fear in the News: A Discourse of Control (1999)Beyond the Rhetoric of Student Voice: new departures or new constraints in the transformation of 21st century schooling? (2001)Media and Violence: Gendering the Debates (2005)Popular Appeal Versus Expert Judgments of Motion Pictures (1999)Problems in comparative research: The example of omnivorousness (2005)Democracy versus Distinction: A Study of Omnivorousness in Gourmet Food Writing (2007)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Market-Oriented Ethnography: Interpretation Building and Marketing Strategy Formulation (1994)The Moral Significance of Class (2005)Feminist Disability Studies (2005)Autoethnography: An Overview (2010)Misfits: A Feminist Materialist Disability Concept (2011)
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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1985Distinction. A Social Critique of the Judgement of Taste4,442 cited
  • 1991Film Bodies: Gender, Genre, and Excess1,241 cited
  • 1985Visions of Excess: Selected Writings, 1927-19391,212 cited
  • 1992Men, women, and chain saws: gender in the modern horror film1,065 cited
  • 1997Freakery: cultural spectacles of the extraordinary body910 cited
  • 1989Highbrow/lowbrow: the emergence of cultural hierarchy in America899 cited
  • 1994Film History: An Introduction558 cited
  • 1988Thinking Through the Body437 cited
  • 1992Signatures of the Visible397 cited
  • 2015Men, Women, and Chain Saws: Gender in the Modern Horror Film388 cited
  • 1993The Desire to Desire: The Woman's Film of The 1940s344 cited
  • 1992Interpreting Films340 cited
  • 1993The cinematic body303 cited
  • 1995'Trashing' the academy: taste, excess, and an emerging politics of cinematic style301 cited
  • 1992A cinema without walls: movies and culture after Vietnam267 cited

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Cited by

  • 2020Bahtinyen Karnavalesk Bağlamında Kült Film Kavramı6 cited